Focusing on Japan, France, and the United States, Christopher L. Hill reveals how the writing of national history in the late nineteenth century made the reshaping of the world by capitalism and the nation-state seem natural and inevitable. The three countries, occupying widely different positions in the world, faced similar ideological challenges stemming from domestic political upheavals - the Meiji Restoration in Japan, the Civil War in the United States, and the establishment of the Third Republic in France - and the rapidly changing geopolitical order. Through analysis that is both comparative and transnational, Hill shows that the representations of national history that emerged in response to these changes reflected rhetorical and narrative strategies shared across the globe.Delving into narrative histories, prose fiction, and social philosophy, Hill analyzes the rhetoric, narrative form, and intellectual genealogy of late-nineteenth-century texts that contributed to the creation of national history in each of the three countries. He discusses the global political economy of the era, the positions of the three countries in it, and reasons that arguments about history loomed large in debates on political, economic, and social problems. Examining how the writing of national histories in the three countries addressed political transformations and the place of the nation in the world, Hill illuminates the ideological labor it performed.The production of national history not only naturalized the division of the world by systems of states and markets. It also asserted the inevitability of the nationalization of human community; displaced dissent to pre-modern, pre-national pasts; and, presented the subject's acceptance of a national identity as an unavoidable part of the passage from youth to adulthood.
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講national history在日本、法國和美國在十九世紀興起的歷史。我自己還蠻喜歡的,覺得還頗具巧思,不過班上許多同學都嫌它太「文學批評」。的確,本書對社會脈絡交代的太少,重心放在文本的解讀上,可是一本書要面面俱到實在不容易。作者本來在Yale教日本文學,可能沒拿到tenure,不知道現在人在何處。
评分講national history在日本、法國和美國在十九世紀興起的歷史。我自己還蠻喜歡的,覺得還頗具巧思,不過班上許多同學都嫌它太「文學批評」。的確,本書對社會脈絡交代的太少,重心放在文本的解讀上,可是一本書要面面俱到實在不容易。作者本來在Yale教日本文學,可能沒拿到tenure,不知道現在人在何處。
评分講national history在日本、法國和美國在十九世紀興起的歷史。我自己還蠻喜歡的,覺得還頗具巧思,不過班上許多同學都嫌它太「文學批評」。的確,本書對社會脈絡交代的太少,重心放在文本的解讀上,可是一本書要面面俱到實在不容易。作者本來在Yale教日本文學,可能沒拿到tenure,不知道現在人在何處。
评分講national history在日本、法國和美國在十九世紀興起的歷史。我自己還蠻喜歡的,覺得還頗具巧思,不過班上許多同學都嫌它太「文學批評」。的確,本書對社會脈絡交代的太少,重心放在文本的解讀上,可是一本書要面面俱到實在不容易。作者本來在Yale教日本文學,可能沒拿到tenure,不知道現在人在何處。
评分偏重对美国、日本和法国民族史学的文本解读,有比较多对这些国家原著和社会经济发展的分析。
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