John A. Crespi is Henry R. Luce Associate Professor of Chinese at Colgate University.
China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture.
Crespi brings the past to life by first examining the ideological changes to poetic voice during China’s early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China’s civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China’s party-guided market economy.
Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China’s modern literary experience. Specialists will appreciate the book’s inclusion of noncanonical texts as well as its innovative interdisciplinary approach.
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切入点很新颖,诗歌的声音表现在中国诗歌与国家意识发展过程中的功能与作用
评分切入点很新颖,诗歌的声音表现在中国诗歌与国家意识发展过程中的功能与作用
评分切入点很新颖,诗歌的声音表现在中国诗歌与国家意识发展过程中的功能与作用
评分切入点很新颖,诗歌的声音表现在中国诗歌与国家意识发展过程中的功能与作用
评分主要看了Intro和contemporary部分,选题赞,然而最后“运动”和“活动”的划分,从政治到去政治化的转向实在没什么解释力...
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