Literary use of the Gothic is marked by an anxious encounter with otherness, with the dark and mysterious unknown. From its earliest manifestations in the turbulent eighteenth century, this seemingly escapist mode has provided for authors a useful ground upon which to safely confront very real fears and horrors. The essays here examine texts in which Gothic fear is relocated onto the figure of the racial and social Other, the Other who replaces the supernatural ghost or grotesque monster as the code for mystery and danger, ultimately becoming as horrifying, threatening and unknowable as the typical Gothic manifestation. The range of essays reveals that writers from many canons and cultures are attracted to the Gothic as a ready medium for expression of racial and social anxieties. The essays are grouped into sections that focus on such topics as race, religion, class, and centers of power.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
Fu Manchu的那篇很一般，作者似乎是研究張愛玲的比較文學學者，感興趣的可以去看看。反倒是分析摩爾奴隸的一篇很有意思。
评分Fu Manchu的那篇很一般，作者似乎是研究張愛玲的比較文學學者，感興趣的可以去看看。反倒是分析摩爾奴隸的一篇很有意思。
评分Fu Manchu的那篇很一般，作者似乎是研究張愛玲的比較文學學者，感興趣的可以去看看。反倒是分析摩爾奴隸的一篇很有意思。
评分Fu Manchu的那篇很一般，作者似乎是研究張愛玲的比較文學學者，感興趣的可以去看看。反倒是分析摩爾奴隸的一篇很有意思。
评分Fu Manchu的那篇很一般，作者似乎是研究張愛玲的比較文學學者，感興趣的可以去看看。反倒是分析摩爾奴隸的一篇很有意思。
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