Rehearsal from Shakespeare to Sheridan

Rehearsal from Shakespeare to Sheridan pdf epub mobi txt 电子书 下载 2026

出版者:
作者:Stern, Tiffany
出品人:
页数:350
译者:
出版时间:2000-5
价格:$ 158.20
装帧:
isbn号码:9780198186816
丛书系列:
图书标签:
  • Shakespeare
  • Sheridan
  • Theatre History
  • Dramatic Literature
  • Rehearsal Process
  • 18th Century Theatre
  • Performance Studies
  • Literary Criticism
  • English Literature
  • Drama
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具体描述

Up until now, facts about theatrical rehearsal have been considered irrecoverable. But in this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected the creation and revision of plays. Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.

Rehearsal: The Art of Bringing Plays to Life This exploration delves into the intricate and vital process of theatrical rehearsal, tracing its evolution and examining its enduring significance from the era of Shakespeare to the witty dialogues of Sheridan. Far from a mere dry recounting of historical timelines, this book offers a vivid and nuanced portrait of how plays, once confined to scripts, are transformed into vibrant, breathing entities on the stage. It is a journey into the minds of directors, actors, and stage managers, uncovering the collaborative alchemy that breathes life into dramatic text. We begin by stepping back to the Globe Theatre, imagining the Bard's own players wrestling with iambic pentameter and the demands of a demanding audience. What were the methods then? Was it a singular directorial vision, or a more communal approach? The scant records available offer glimpses into a world where rehearsal might have been less structured, more improvisational, driven by the need to swiftly mount new productions. We consider the actor-playwright dynamic, the inherent authority of the writer in shaping the performance, and how the limited rehearsal time influenced the very texture of Elizabethan drama. This section unearths the foundational elements of bringing words to life, the raw materials of performance before the modern concept of detailed direction took hold. Moving forward, the landscape of rehearsal begins to shift. The emergence of more formalized theatrical companies and the increasing complexity of staging necessitate a more deliberate approach. We examine the practices that began to take root, the growing importance of the director's role in shaping character interpretation, blocking, and overall dramatic arc. This period sees the beginnings of what we might recognize as structured rehearsal periods, with actors working through scenes, exploring subtext, and building rapport under the guidance of a central authority. The influence of playwrights like Sheridan, with their carefully crafted dialogue and intricate social observations, demands a particular kind of precision in rehearsal. Sheridan's comedies, for instance, require a keen understanding of social nuance, subtle comedic timing, and the ability of actors to deliver witty repartee with effortless grace. The rehearsal room for a Sheridan play becomes a crucible for refining these delicate performances. The book further investigates the evolving relationship between the director and the actor. It’s a partnership often fraught with creative tension, yet fundamental to the success of any production. We explore different directorial philosophies – from the authoritarian to the collaborative, the conceptual to the text-driven. The actor’s contribution is not merely to embody a role, but to actively participate in its creation, bringing their own insights, experiences, and emotional depth to the character. This section delves into the psychological and emotional work involved in character development, the process of immersing oneself in another’s life, and the techniques actors employ to achieve authenticity and emotional resonance. We consider the importance of stage business, the subtle gestures and movements that reveal character and advance the plot, and how directors work with actors to integrate these elements seamlessly. The practicalities of rehearsal are not overlooked. The book details the various stages of the rehearsal process, from the initial read-through, where the entire company encounters the play together, to the technical rehearsals, where lighting, sound, and set design converge with the performance. Each phase presents its own unique challenges and opportunities for refinement. We consider the crucial role of the stage manager, the unsung hero who keeps the entire operation on track, ensuring punctuality, maintaining continuity, and serving as the vital link between all departments. The often-overlooked element of "off-book" rehearsals, where actors have memorized their lines and can focus on performance, is also examined, highlighting the transition from reading to living the text. Moreover, the book explores how technological advancements and evolving theatrical forms have impacted the rehearsal process. From the intimate black-box theatre to the grand proscenium arch, the physical space of rehearsal influences how actors and directors work. We also consider the challenges of rehearsing different genres, from the heightened reality of tragedy to the rapid-fire wit of comedy, and the specific demands each places on the rehearsal room. The exploration of how music and dance are integrated into theatrical productions, and the unique rehearsal techniques employed in these areas, adds another layer of depth. Ultimately, "Rehearsal: The Art of Bringing Plays to Life" argues that rehearsal is not merely a preparatory phase, but a generative force in itself. It is a space of exploration, discovery, and constant refinement, where the ephemeral nature of performance is forged. It is where the playwright’s vision meets the actor’s interpretation, where the director’s concept finds its physical manifestation, and where the magic of theatre is meticulously, patiently, and brilliantly crafted. This book invites readers to understand and appreciate the profound artistry and dedicated labor that underpins every compelling theatrical experience, from the earliest days of Shakespeare's stage to the sophisticated productions of Sheridan's era and beyond. It is a tribute to the often-invisible work that makes the impossible possible, transforming ink on paper into moments of profound human connection and unforgettable artistry.

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这本书的封面设计真是抓人眼球,那种古典又带着一丝现代气息的排版,让人忍不住想一探究竟。我原本是冲着对18世纪戏剧史的兴趣来的,想看看作者对莎士比亚到谢里丹这段漫长而又充满变革的时期,是如何梳理脉络,又是如何捕捉到那些细微的时代精神的。刚翻开序言,作者的笔触就显得非常老练,没有那种枯燥的学术腔调,反而像是在跟一个老朋友娓娓道来,讲述那些舞台上光怪陆离的故事和幕后的风云变幻。尤其是一些关于早期剧院运营的描述,简直生动得让人仿佛能闻到木屑和汗水的味道。我对其中对于特定几部作品的文本细读非常感兴趣,特别是对角色的动机分析,那种深入骨髓的洞察力,让我对那些耳熟能详的剧作有了全新的理解。当然,作为一本涉及如此广阔时间跨度的著作,期望它能面面俱到是苛刻的,但我相信作者在选取论据和阐发观点时,一定下了极深的功夫,这种对史料的精准拿捏,是区分平庸之作和经典之作的关键。整体来看,这本书的开篇给我的感觉是:这是一次精心策划的、充满智慧的剧场之旅的邀请函。

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说实话,这本书的阅读体验比我预期的要更为丰富和多维。我特别欣赏作者在处理不同时期戏剧风格转变时所采用的对比手法。比如,当他从伊丽莎白时代那种近乎狂热的诗意和宏大叙事,平稳过渡到新古典主义的严谨与理性时,那种语气的微妙变化,简直就是一场无声的戏剧表演。我尤其注意到了作者在引用原始评论和观众反应时的手法,那些十九世纪或十八世纪早期的批评论述被巧妙地嵌入正文,就像是舞台上突然亮起的追光灯,让历史的某个瞬间鲜活了起来。这本厚厚的书,拿在手上沉甸甸的,内容却一点都不显得臃肿,反而结构紧凑,逻辑链条清晰得令人赞叹。它不是那种让你读完后只留下零散知识点的书,而是能构建起一个完整的知识框架,让你明白为什么戏剧会以那样的方式发展,背后的社会结构和哲学思潮是如何推动这一切的。我正在期待后面章节对舞台技术革新如何影响剧本创作的探讨,希望作者能在这方面给出更多令人耳目一新的见解,因为这往往是传统戏剧史容易忽略的侧面。

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这本书的排版和装帧设计透露出一种对文学经典的尊重,装帧的质感非常好,拿在手里是一种享受。我个人对书中关于戏剧批评史发展的梳理非常感兴趣。从早期的道德评判到后来的美学分析,作者清晰地勾勒出了批评话语权的转移过程。他并没有简单地将这些批评视为对戏剧本身的附庸,而是将其视为与创作活动并行不悖的、具有自身生命力的文化现象来处理。我特别喜欢作者引用的一些早期评论家之间的“笔战”片段,那些充满了那个时代特有的尖酸刻薄和机智幽默,读起来比读正剧本身还要过瘾。这本书的论证过程环环相扣,作者似乎总能在我产生疑问之前,就提前抛出了解释性的论点,这种行文上的“预判性”,极大地提升了阅读的流畅度。我发现自己频繁地在不同章节间来回翻阅,以追溯某个概念是如何在不同时代被重新定义和使用的。总而言之,它为我提供了一个理解戏剧发展驱动力的全新透镜。

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这是一部需要细嚼慢咽的学术盛宴。我最赞赏的一点是,作者在处理从文艺复兴到启蒙运动期间审美范式转换时,那种细腻而又果断的界限划分。他没有简单地用“进步”或“衰退”来简单标签化这些阶段,而是深入剖析了支撑不同美学体系的哲学基础和社会契约。对于那些常被忽略的、处于两个主要流派夹缝中的过渡性剧作家,书中给予了恰如其分的关注和评价,使得整个历史图景更加完整、立体。阅读过程中,我感觉自己仿佛是坐在一个历史的观察台上,看着那些剧作家如何应对来自宫廷、教会和新兴市民阶层的多重压力,并试图在有限的舞台空间内实现他们的艺术抱负。这本书的参考文献部分浩如烟海,但作者的行文却能将如此庞大的信息量消化得干干净净,最终呈现给读者的,是高度提炼后的智慧结晶。它不仅仅是一本关于“剧本怎么写”的书,更是一部关于“时代如何塑造表达方式”的深刻洞察。

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阅读这本关于英国戏剧史的巨著,让我深切感受到作者是一位真正的叙事大师。他并非仅仅罗列事实和年代,而是在编织一张错综复杂的历史网络。我尤其欣赏他对“观众”这个角色的重视。在许多戏剧研究中,文本本身往往占据了全部的聚光灯,但这本书似乎更关注剧场作为一种公共空间的功能,以及不同阶层观众对戏剧的期待和塑造。比如,书中对于某些喜剧作品如何在特定历史背景下成功地扮演了“社会缓冲器”的角色,这种社会学视角的切入,让我对戏剧的社会功能有了更深的敬意。行文之中,偶尔会冒出一些非常精炼的、几乎可以作为格言的判断,比如他对某个流派“短暂辉煌下的本质局限”的评价,那种一针见血的洞察力,让人不得不停下来,细细品味。这本书的索引做得极其详尽,这对于进行后续研究的人来说简直是福音,体现了编纂者严谨的态度。我目前读到的部分,在学术深度和可读性之间找到了一个近乎完美的平衡点,是那种可以放在案头,随时翻阅参考的佳作。

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