This is the second in a series of graphic novels edited for the Porcupine's Quill by wood engraver George A. Walker in which he encourages students at the Ontario College of Art Design to embrace 19th century linocut printmaking techniques to create extended visual narratives which are then scanned, digitized, and subsequently printed offset for publication at popular prices in a format that uses 20th century offset printing technology to replicate the look and 'feel' of a 19th century letterpress product.
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