Film Finance Handbook 2007/2008

Film Finance Handbook 2007/2008 pdf epub mobi txt 电子书 下载 2026

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出版者:
作者:Davies, Adam P./ Wistreich, Nicol/ Macgregor, James (CON)
出品人:
页数:480
译者:
出版时间:2005
价格:$ 50.85
装帧:
isbn号码:9780955014321
丛书系列:
图书标签:
  • BU
  • Film Finance
  • Film Production
  • Film Industry
  • Financial Management
  • Investment
  • Funding
  • Legal Aspects
  • Copyright
  • Distribution
  • Marketing
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具体描述

The reader - from beginner making their first short film, through to experienced producer packagin an international multi-million pound co-production - is guided through the entire process of raising finance, in a book packed with interviews, case studies, expert tips and details of more than 200 funds.

The UK Film Funding Guide 2003/04 was originally published by Shooting People and went on to sell almost 4,000 copies amongst the UK’s guerilla filmmaking scene. This second edition - the UK Film Finance Handbook 2005/06 - from the same authors, is published by Netribution and has been fully revised, updated and expanded.

• All forms of production finance fully explained - including the new UK 20% tax credit

• International and co-production incentives for over 20 countries

• 101 tips and tricks from low-budget filmmakers for more affordable films

• Directory comprising over 400 film contacts across all sectors

• Top level interviews including UK Film Council execs, the head of BBC Films and Nik Powell, co-founder of Virgin and one of the UK’s most seasoned producers.

《Film Finance Handbook 2007/2008》是一本深入探讨电影行业金融运作的权威指南,其内容围绕影视产业的经济模式、融资机制及价值流分析展开。这本书系统地介绍了影片制作与发行背后的复杂财务结构,从项目筹资、预算管理到最终回报,全面解析每一个环节。它特别强调了风险评估的重要性,帮助读者理解在高投入、高压力的电影制作中如何平衡创意与经济效益。书中详细分析了版权交易、分销合同及各类融资渠道,为投资者和企业提供了科学决策的依据。 通过丰富的案例研究,读者能够清晰看到市场趋势对影视项目的影响,以及成功项目如何最大化收益。《Film Finance Handbook 2007/2008》不仅关注财务数据,还结合行业实践探讨了品牌价值、观众口味及市场竞争力的关联。这本书注重理论与实际的结合,帮助读者建立对影视产业运作的全面认知,为从事电影投资或管理的人士提供实用工具。 内容覆盖范围广泛,涵盖资金流转过程中的各个细节,包括融资方式、收益分配及税务问题。书中还引入了数据分析方法,帮助用户精准评估项目的经济可行性。尤其值得一提的是,该书对国际市场拓展和跨国投资的探讨,使其成为跨领域研究者的重要参考资料。 此外,读者在阅读过程中会发现,这本书注重倡导透明的财务操作与规范化的商业模式。它强调了在影视领域中诚信经营的重要性,解析了不同利益主体之间的协作关系,使复杂的金融流程更加清晰明白。通过专业语言和系统逻辑,这本书不仅适合管理层及资本家,也为学术研究提供了宝贵的素材。 书中对影视产业经济模式的深入剖析,体现了对行业内动态变化的敏锐洞察。作者结合最新市场数据与历史案例,确保内容既具前瞻性又贴近实际操作。这种严谨而全面的写作风格,使《Film Finance Handbook 2007/2008》成为影视经济领域的经典参考书籍。 这一书不仅关注财务指标,更关注影视项目的文化价值与社会影响,帮助读者在追求盈利的同时,也思考作品背后的故事和意义。这种综合性分析使其在内容深度上独具一格,为相关领域的学习者和从业者提供了有益的指导。 书中的结构设计十分合理,通过逻辑连贯的章节安排,让读者能够逐步深入理解影视金融的各个方面。每一个章节都配有详细的解释、实例和数据支撑,使信息传达更加清晰易懂。这种严谨的组织方式,不仅提升了阅读体验,也增强了书籍的实用价值。 总体来说,《Film Finance Handbook 2007/2008》以其深度、系统性和实际指导性,为影视行业提供了一种全新的财务观念体系。这本书不仅记录了电影金融的发展脉络,更在其中点明了未来发展的方向,值得各方深入研究与应用。

作者简介

Adam Davies has advised exclusively in the entertainment sector since qualifying as a solicitor 10 years ago. Since 1999, he has also run a film financing consultancy, Investrum, whilst continuing to provide legal services to various film companies. He has represented businesses in all areas of the film industry, including private equity, sales agents, distributors, sale & leaseback providers, production fund partnerships, co-producers, production companies and talent agencies. He has run the legal & business affairs departments of publicly listed film companies, and has advised on more than 150 features including House of Sand and Fog, Open Range, Timeline, Stoned (The Brian Jones Project), Return to Sender, Irresistible, The Cooler, Heartbreakers, Lantana, Baise-Moi, The Man Who Sued God, Slap Her She’s French, Sexy Beast, Gods & Monsters, Secret Society, Fanny & Elvis, The War Zone, Nil By Mouth, and Human Traffic.

Nic Wistreich is co-author of the first edition of this book, Get Your Film Funded, for Shooting People Press, author of Digital Asset Management for Informa and International Film & TV Rights for MTI. He co-founded UK film industry website Netribution and was former UK head of filmfestivals.com and Development Director of filmmaker community, Shooting People. He has taught film finance at the New York Film Academy in London, and made a number of documentaries, no-budget shorts and ‘vingles’ (visual singles).

James MacGregor was Northern Editor for Netribution and has written extensively on the UK independent film scene for publications including New Producer magazine and Scottish Screen and more recently has developed the Wideshot magazine for Shooting People.

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