On the Road

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出版者:Viking Penguin; Anniversary edition
作者:Jack Kerouac
出品人:
页数:309
译者:
出版时间:2007-8-16
价格:USD 24.95
装帧:
isbn号码:9780143142737
丛书系列:
图书标签:
  • Jack_Kerouac
  • 公路小说
  • 美国文学
  • 垮掉派
  • 旅行
  • 成长
  • 自由
  • 反叛
  • 冒险
  • 文化
  • 经典
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具体描述

A 50th anniversary hardcover edition of Kerouac’s classic novel that defined a generation.

On September 5, 1957, Viking published Jack Kerouac's novel On the Road. Few books have had as profound an impact on American culture. Pulsating with rhythms of late 1940s/1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open road, Kerouac's classic novel of freedom and longing defined what it meant to be "Beat" and has inspired generations of writers, musicians, artists, poets and seekers who cite their discovery of the book as the event "set them free." This hardcover edition commemorates the fiftieth anniversary of the original publication of an American classic.

Based on Kerouac's adventures with Neal Cassady, On the Road tells the story of two friends whose four cross-country road trips are a quest for meaning and true experience. Written with a mixture of sad-eyed naïveté and wild abandon, and imbued with Kerouac's love of America, his compassion for humanity, and his sense of language as jazz, On the Road is the quintessential American vision of freedom and hope, a book that changed American literature and changed anyone who has ever picked it up.

Amazon.com Review

Few novels have had as profound an impact on American culture as On the Road. Pulsating with the rhythms of 1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open road, Kerouac's classic novel of freedom and longing defined what it meant to be "beat" and has inspired generations of writers, musicians, artists, poets, and seekers who cite their discovery of the book as the event that "set them free." Based on Kerouac's adventures with Neal Cassady, On the Road tells the story of two friends whose four cross-country road trips are a quest for meaning and true experience. Written with a mixture of sad-eyed naïveté and wild abandon, and imbued with Kerouac's love of America, his compassion for humanity, and his sense of language as jazz, On the Road is the quintessential American vision of freedom and hope, a book that changed American literature and changed anyone who has ever picked it up. This hardcover edition commemorates the fiftieth anniversary of the first publication of the novel in 1957 and will be a must-have for any literature lover.

From Publishers Weekly

In introducing the fabled first draft of Kerouac's autobiographical novel-written on a single giant roll of paper, without breaks in the text, in an amphetamine-fueled marathon-editor Howard Cunnell refers to Allen Ginsberg's claim that "the published novel is not at all like the wild book Kerouac typed in '51." Characters are identified by their real names (rather than the 1957 version's apt pseudonyms) and their love affairs are more explicit, giving the book a juicy memoir-like feel, especially where Cassady and Ginsberg are concerned. The plot, however, is identical. Neal Cassady joins Kerouac and Ginsberg's bohemian circle in New York in the late 1940's, and inspires and cons them into traveling around the country, "searching for a lost inheritance, for fathers, for family, for home, even for America." The death of Kerouac's father plays a larger role in the story than in the 1957 version; and Justin W. Brierly, a teacher who served as mentor to Cassady and has a cameo in the published book, makes a series of recurring appearances in the scroll. The lack of paragraphs or chapters emphasizes the breathless intensity of Kerouac's prose. The anniversary publicity will introduce this classic to a new generation of readers, and while the scroll probably won't displace the novel's more familiar, polished incarnation, it will be of keen interest to beat aficionados and scholars.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Though Kerouac's masterpiece is not out of print and likely never will be (it still enjoys more than 60,000 sales annually), Viking is releasing a quality hardcover edition to commemorate the 40th anniversary of its original publication. Undoubtedly one of the most influential and important novels of the 20th century, this is the book that launched the Beat Generation and remains the bible of that literary movement. On the Road's publication in 1957 was a wake-up call to the American public that not all its youth were modeled after characters on Ozzie and Harriet: it portrayed Ivy League-educated white kids who smoked dope, hitchhiked, and frequented black jazz joints and Mexican whorehouses. It was the harbinger of the radical changes that would soon sweep society in the 1960s. In addition to the full text, this version includes the New York Times's original book review. A pillar of American literature.

Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist

The mythology surrounding On the Road begins with a tantalizing creation story: in a 20-day marathon in April 1951, Kerouac speed-typed the single-spaced manuscript on long sheets of tracing paper he taped together to form a 120-foot scroll. Truly a remarkable feat, although Kerouac, who was not exactly the wild man his image as king of the Beats suggests, had already spent years working on what ultimately became On the Road. The legendary scroll, purchased by Jim Irsay, owner of the Indianapolis Colts, for $2.43 million, is currently being exhibited across the country. To celebrate the novel's fiftieth anniversary, the scroll has finally been fully transcribed and thoroughly explicated in four superb introductory essays. Given that the manuscript diverges from the book in the very first sentence, and that Kerouac used the real names of the friends who inspired his characters and wrote unused sexually explicit passages, this is an intriguing read to say the least. Seaman, Donna --This text refers to an out of print or unavailable edition of this title.

Review

Pop writing at its best. It changed the way I saw the world, making me yearn for fresh experience -- Hanif Kureishi Independent on Sunday On the Road sold a trillion Levis and a million espresso machines, and also sent countless kids on the road. The alienation, the restlessness, the dissatisfaction were already there waiting when Kerouac pointed out the road -- William Burroughs --This text refers to an out of print or unavailable edition of this title.

《尘世之歌:漂泊者的低语》 第一章:柏油路的尽头 清晨的薄雾尚未完全散去,空气中弥漫着一种混合了露水、泥土和远方工业区传来的淡淡焦油味。故事的主人公,一个名叫卡尔的年轻人,正靠在一堵斑驳的砖墙边,手里紧紧攥着一张皱巴巴的地图。这张地图标记着他此行的目的地——一个他从未踏足过的西部小镇,名叫“静水湾”。卡尔背着一个磨损严重的帆布背包,里面装着几件换洗衣物,一本写满了潦草笔记的皮面笔记本,以及一把祖父留下的口琴。 卡尔的旅程并非为了追寻什么宏大的目标,而更像是一种对既有生活状态的无声抗议。他刚刚辞去了在东部一家沉闷的会计事务所的工作,那份工作像一根无形的锁链,将他的灵魂一点点磨损殆尽。他渴望看到地平线,闻到不同土壤的气息,听见那些在城市高楼间被淹没的真实声音。 他搭乘的第一段顺风车,是一辆老旧的雪佛兰皮卡,车主是一个沉默寡言的卡车司机,名叫弗兰克。弗兰克很少说话,他的皮肤被太阳晒成了深褐色,眼睛里布满了细小的血丝,那是常年奔波在漫长公路上的印记。两人之间维持着一种默契的沉默,只有引擎有节奏的轰鸣声和收音机里播放的乡村音乐充斥着车厢。 在穿越堪萨斯州广袤无垠的玉米地时,卡尔终于开口了。他问弗兰克:“您开了这么多年车,见过最美的东西是什么?” 弗兰克将烟头在烟灰缸里捻灭,沉默了几秒,然后缓缓说道:“不是什么风景,孩子。是夜晚,当你在沙漠里抛锚,周围万籁俱寂,抬头望见银河铺天盖地的那一刻。那一刻,你会觉得自己既渺小得像一粒尘埃,又宏大得能容纳整个宇宙。” 这次对话像一颗石子投入卡尔的心湖,激起了层层涟漪。他开始意识到,真正的“在路上”并非指地理上的位移,而是一种对存在本质的探寻。 第二章:锈迹斑斑的加油站与旧日幽灵 旅程进入第二周,卡尔的资金开始紧张。他在一个名叫“沙尘堡”的偏僻小镇停了下来。这个镇子仿佛被时间遗忘,街道两旁是半塌的木制建筑,空气中弥漫着铁锈和旧木头腐烂的气味。他找到了一份在一家加油站做杂工的活计,老板是个名叫玛莎的中年女人,她的眼神里藏着一种看透世事的疲惫。 玛莎的加油站不仅仅是加油站,它更像是当地流浪者和失意者的中转站。墙上贴满了褪色的招贴画,角落里堆放着卖不出去的旧书和黑胶唱片。 一天傍晚,一个自称“诗人”的流浪汉走进了加油站。他穿着一件破旧的羊毛衫,胡子拉碴,手里拿着一根扭曲的拐杖。他没有要汽油,只是点了一杯黑咖啡,坐在角落的旧沙发上,开始对着空气低声吟诵。 他的诗歌晦涩难懂,充满了对工业化进程中人性异化的控诉,但那种原始的、未经雕琢的力量却深深地吸引了卡尔。卡尔坐在他对面,听得如痴如醉。 诗人自称罗伊,曾是大学里备受瞩目的文学新星,却因无法忍受学术圈的虚伪而选择自我放逐。罗伊告诉卡尔:“年轻人,别相信那些用公式和报告定义生活的人。真正的知识不在书本里,而在你双脚踏过的每一寸土地,在你品尝过的每一次辛酸的食物中。” 卡尔在沙尘堡停留了近一个月,白天帮玛莎清理油污、换机油,晚上则和罗伊在昏暗的灯光下讨论哲学和艺术。他学会了如何分辨不同型号的发动机发出的声音,也学会了如何用最少的词语表达最复杂的情感。在罗伊的引导下,卡尔开始用他的皮面笔记本记录下所见所闻,不再是琐碎的日记,而是对周遭世界的细致观察和深刻反思。 第三章:静水湾的迷雾 当卡尔终于到达静水湾时,他发现自己被一种深深的失落感包围。这个名字听起来宁静美好的地方,实际上是一个被过度开发的海滨度假区,充满了廉价的纪念品商店和嘈杂的游客。他原本期待的“静水”并未出现,取而代之的是被塑料垃圾污染的海岸线和喧嚣的人群。 卡尔租了一个海边的小屋,每天早晨,他会独自走到尚未被游客占据的礁石区。他发现,无论走到哪里,那种内心深处的“漂泊感”似乎并未消失,它只是换了一种形式存在——从地理上的移动,变成了精神上的疏离。 在静水湾,他遇到了一位名叫艾琳的老妇人。艾琳靠在她的木制阳台上,修补着一张巨大的渔网。她独自一人生活,她的丈夫多年前出海后就再也没有回来。艾琳的双手布满了老茧,但她的眼神却异常清澈。 卡尔经常去看她,不是为了寻求慰藉,而是为了观察她如何与“失去”共处。艾琳从不抱怨,她只是日复一日地修补渔网,仿佛在等待一个永远不会归来的奇迹,或者说,她早已接受了奇迹的缺席。 一天下午,卡尔在礁石上写诗,被风吹落了一页纸。艾琳捡起后递给他,她指着纸上的一句诗:“‘寻找的终点,是另一个起点的影子。’” 艾琳轻轻地笑了:“孩子,你一直在寻找一条笔直的路,通向一个明确的目的地。但生活不是地图,它是一张被反复缝补的渔网。你以为你在漂泊,其实你只是在不断地修补自己破碎的部分,让它们能够继续承受风浪。” 第四章:回归与重塑 在静水湾待了近三个月后,卡尔决定结束这次旅程。他没有找到什么惊天动地的答案,也没有成为什么了不起的人物。他只是在路上学会了倾听——倾听引擎的低吼,倾听沉默的对话,倾听内心的不安。 他向玛莎告别,玛莎送了他一小瓶她自己调制的浓缩咖啡豆;他写信给罗伊,信中只附上了一张他亲手绘制的静水湾日出图。 卡尔踏上了回程的路,这次他不再急于赶路,他放慢了速度,选择了那些偏僻的县道。他开始明白,弗兰克说的“夜晚的银河”,罗伊说的“知识的真实性”,以及艾琳说的“渔网的修补”,都指向同一个核心:生命本身就是一场持续的、充满不确定性的“在路上”。 当他最终回到他最初离开的那个城市时,他发现一切似乎都没有改变:高楼依然冰冷,街道依然拥挤。但他自己已经不同了。他的步伐不再匆忙,他的眼神里多了一份对日常细节的珍视。他没有立刻去找工作,而是走进一家老旧的书店,买了一叠新的纸张,准备开始书写他自己的故事——一个关于在广袤的尘世中寻找真实回响的故事。他知道,真正的旅程,现在才刚刚开始。

作者简介

Jack Kerouac(1922-1969), the central figure of the Beat Generation, was born in Lowell, Massachusetts, in 1922 and died in St. Petersburg, Florida, in 1969. Among his many novels are On the Road, The Dharma Bums, Big Sur, and Visions of Cody.

Jack Kerouac was an American novelist, writer, poet, and artist. He is perhaps the best known of a group of writers and friends who came to be known as the Beat Generation, a term he himself created.

Kerouac's work was popular, but received little critical acclaim during his lifetime. Today, he is considered an important and influential writer who inspired others, including Tom Robbins, Lester Bangs, Richard Brautigan, and Ken Kesey, and writers of the New Journalism. Kerouac also influenced musicians such as The Beatles, Bob Dylan, Morrissey, Tom Waits, Simon & Garfunkel, Lebris, Ulf Lundell and Jim Morrison.[1] Kerouac's best-known books are On the Road, The Dharma Bums, Big Sur, and Visions of Cody.

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读后感

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这个世界上有些书你知道你早晚会去读,《在路上》对于我来说属于这种。很多年前看两三行介绍,就知道你终究有一天会去找来读的书,就像和一个人对视两秒,就知道你们是否能心灵相通一样,要是从心理上掰碎了细嚼,也未必分析不出道理一二来,不过,那全无意义。 是的,全无意...  

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(文楚安全译本、漓江出版社2001  翻译得蛮好,至少看起来比台湾版舒服。但其中一些爵士乐手与国内已基本统一下来的见于各音乐期刊及碟片海报上的名字略有出入,不利于按人索碟。统计如下: 1、 P15,查理士.帕克 ,别名“非凡人物”:即CHARLIE PARKER,通译...  

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(文楚安全译本、漓江出版社2001  翻译得蛮好,至少看起来比台湾版舒服。但其中一些爵士乐手与国内已基本统一下来的见于各音乐期刊及碟片海报上的名字略有出入,不利于按人索碟。统计如下: 1、 P15,查理士.帕克 ,别名“非凡人物”:即CHARLIE PARKER,通译...  

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我还年轻,我已经在路上 ——读《在路上》 “我还年轻,我渴望上路。”《在路上》是一本适合心中燃烧着无限激情的人阅读的书。书中远走高飞和疯狂生活的诱惑无时无刻在激动着驿动的一颗心。 我是在大学二年级时阅读这本书的,夜深人静的时候,床头的昏黄的台灯陪伴无限澎訇的...  

用户评价

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说实话,我最近的心情有些低落,总觉得生活里缺少了点什么,一种活力,一种冲劲,甚至是一种能够点燃内心火焰的东西。我尝试着做一些新的事情,听一些新的音乐,看一些新的电影,但总感觉隔靴搔痒,没有触及到最深处。这时候,一本能够唤醒我内心深处某种渴望的书,对我来说就显得尤为重要。我希望这本书能够给我带来一种精神上的“洗礼”,一种能够让我重新燃起对生活的热情的力量。我渴望在书中找到那种能够让我感受到生命之流涌动的叙事,那种充满激情和冒险的篇章,能够让我暂时忘记现实的烦恼,全身心地投入到一种更加广阔、更加自由的体验之中。我希望这本书能像一剂强心针,注入我疲惫的心灵,让我重新找回那种探索未知、拥抱挑战的勇气和激情。

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这本书的封面设计就足够吸引人,一种复古的、带着些许粗糙感的油画风格,仿佛一下子就把我拉回了某个年代,某种难以言喻的自由氛围之中。我翻开扉页,一股淡淡的油墨香混合着纸张特有的陈旧气息扑面而来,这感觉就像是发现了一本被时间遗忘却又充满生命力的宝藏。书页的质感很特别,不是那种光滑的现代印刷品,而是带着些许纹理,仿佛每一页都承载着说不完的故事。我迫不及待地想要沉浸其中,去感受那种未知的旅程,去探寻那些隐藏在文字背后的情感和风景。我一直在寻找一本能让我暂时逃离现实、进入另一个世界的书,而这本书的装帧和整体的氛围,似乎预示着我找到了它。我喜欢这种精心设计的细节,它们能极大地增强阅读的沉浸感,让我觉得这本书不仅仅是一堆纸,而是一个等待被开启的奇遇。光是看着,我就已经充满了期待,想象着书中会展现怎样的世界,会有怎样的人物,他们的经历又会带给我怎样的触动。

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我对那些能够描绘出真实而复杂人性的作品情有独钟。我一直认为,最动人的故事,往往不是那些完美无缺的人物,而是那些有着缺陷、有着挣扎,却依然在努力前行的人们。我喜欢那些能够捕捉到人物内心微妙变化的作品,能够深入到他们最真实的情感世界,展现他们的喜怒哀乐,他们的迷茫与坚定。我希望这本书能够让我遇见一些鲜活的角色,他们的对话能够充满智慧,他们的行为能够引人深思,他们的命运能够牵动我的心弦。我渴望在他们的经历中,看到人性的多样性,看到生活的复杂性,也看到那些虽然平凡却闪耀着光芒的时刻。我希望这本书能让我感受到一种深刻的情感共鸣,仿佛我就是故事中的一员,和他们一起经历着生命中的种种。

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我通常不是那种会轻易被书的“名气”所左右的读者,更多时候,我会被一些更深层次的东西所吸引,比如一种独特的叙事方式,或者作者对某个主题的深刻洞察。这本书,我早就听说过,但一直没有机会深入了解。最近,我偶然看到了一些关于它的评论,里面提到了“探索”、“自由”以及“寻找意义”这些关键词,这让我产生了浓厚的兴趣。我一直觉得,人生的很多价值,恰恰是在不断的探索和尝试中被发现的,而“意义”也并非凭空而来,它需要我们在经历中去碰撞、去构建。所以,当我知道这本书似乎触及了这些方面时,我便下定决心要一探究竟。我希望这本书能带我进入一个充满未知和可能性的世界,让我看到一些我从未设想过的生活方式,或者思考一些我曾忽视过的人生哲学。我期待它能给我带来一些启示,一些新的视角,让我对这个世界,对我自己,有更深刻的认识。

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我总是对那些关于“旅程”的故事着迷,不仅仅是地理上的迁徙,更是精神上的探索和自我发现。我喜欢那些能够带领我穿越不同地域、不同文化,甚至不同思想境界的作品。我希望这本书能够展现给我一些我从未见过的风景,一些我从未听过的故事,一些我从未想过的生活方式。我渴望在字里行间感受到那种对未知的好奇,对自由的向往,以及在不断前行中逐渐清晰的自我认知。我希望这本书能让我看到,人生本身就是一场永无止境的旅程,而在这个过程中,我们所经历的一切,所遇见的人,所看到的事,都在塑造着独一无二的我们。我期待它能给我带来一种广阔的视野,一种对世界更深的理解,以及对生命更饱满的热爱。

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