Martha Banta reaches across several disciplines to investigate America's early quest to shape an aesthetic equal to the nation's belief in its cultural worth. Marked by an unusually wide-ranging sweep, the book focuses on three major 'testing grounds' where nineteenth-century Americans responded to Ralph Waldo Emerson's call to embrace 'everything' in order to uncover the theoretical principles underlying 'the idea of creation'. The interactions of those who rose to this urgent challenge - artists, architects, writers, politicians, and the technocrats of scientific inquiry - brought about an engrossing tangle of achievements and failures. The first section of the book traces efforts to advance the status of the arts in the face of the aspersion that America lacked an Art Soul as deep as Europe's. This is followed by a hard look at the heated political debates over how to embellish the architecture of Washington, D.C., with the icons of cherished republican ideals. The concluding section probes novels in which artists' lives are portrayed and aesthetic principles tested.
评分
评分
评分
评分
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有