New Directions in American Reception Study

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出版者:
作者:Goldstein, Philip (EDT)/ Machor, James L. (EDT)
出品人:
页数:544
译者:
出版时间:2007-12
价格:$ 141.25
装帧:
isbn号码:9780195320879
丛书系列:
图书标签:
  • 美国接受研究
  • 接受理论
  • 文学批评
  • 文化研究
  • 读者反应
  • 美国文学
  • 传播学
  • 媒介研究
  • 文化史
  • 跨学科研究
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具体描述

Contemporary reception study has developed a diversity of approaches and methods, including the institutional, textual, historical, authorial, and reader-response, which, to a greater or lesser extent, acknowledge the various ways in which readers have found texts - literature, television shows, movies, and newspapers - meaningful. This collection emphasizes that new diversity, examining movies, newspapers, fans, television shows, and traditional American as well as modern Hispanic, Black, and Women's literature. The essays on literature include James Machor on Melville's short fiction, Kenneth Roemer on Edward Bellamy's utopian work Looking Backward, Amy Blair on the popularity of Sinclair Lewis's Main Street, Marcial Gonzalez on Danny Santiago and his Hispanic novel Famous All Over Town, and Leonard Diepeveen on modernist fiction and criticism. The theoretical essays on reader-oriented criticism include Patsy Schweickart on interpretation and the ethics of care and Jack Bratich on active audiences. Media versions of response criticism include Andrea Press and Camille Johnson's ethnographic analysis of fans of the Oprah Winfrey Show, Janet Staiger on Robert Aldrich's film version of Mickey Spillane's Kiss Me Deadly, and Rhiannon Bury on the fans of the HBO television show Six Feet Under. History-of-the-book versions include Barbara Hochman on the popularity of the 1890s editions of Harriet Beecher Stowe's Uncle Tom's Cabin, Ellen Garvey on nineteenth-century scrapbooks of newspaper, and David Nord on early twentieth-century newspapers' relations to audience charges of bias and unfairness. Poststructuralist studies include Philip Goldstein on Richard Wright's Native Son, Steve Mailloux on Reading Lolita in Tehran, and Tony Bennett on the cultural analyses of Pierre Bourdieu. The collection concludes with essays by Janice Radway on the limits of these methods and on the possibility of new forms of sociological and anthropological reception study and by Toby Miller on the "reception deception" in relation to the worldwide distribution and reception of movies and television shows.

《New Directions in American Reception Study》是一本深入探索美国对文学作品文化接收和社会反响的学术著作。这本书以广泛的视角聚焦于不同历史时期及多元背景下,各种形式的文本如何被读者、学者以及公众所解读与评价。它不仅关注单一作品或作者,更着重揭示了文学在不同社会环境中的传播路径和接受过程。书中运用多种方法,包括文本分析、历史背景梳理和跨学科视角,旨在呈现受美国文化变迁影响的接受研究的复杂图景。 该著作尤其注重探讨文学与社会价值观之间的互动关系,强调理解一个作品如何通过时空不同被赋予意义。书中通过对典型文本的细致解读,以及对读者反应的系统分析,帮助读者更全面地把握文学接受过程中的多样性和动态性。这种研究方法不仅限于经典文学作品,还涵盖了当代文化产品,从小说到戏剧、电影及电子媒体,体现出其广泛的适用性。 《New Directions in American Reception Study》在文献综述中扮演重要角色,为研究者提供了一个系统性的框架,以探讨不同时期美国文学如何在不同的社会文化背景下被理解和接受。这本书不仅关注学术界对文学接受的理论建构,也为读者提供了一种切入点,使他们能够更深入地理解文化与艺术之间复杂的关系。通过这一研究,读者可以发现文学作品背后隐藏的社会意义,并体会其在不同历史阶段的独特价值。 书中特别强调了多元文化视角的重要性,鼓励读者从不同的文化背景出发,重新审视某一作品或主题在美国接受过程中的表现。这种方法不仅拓宽了学术研究的范围,也为文学教育与社会研究提供了宝贵的参考。书中通过丰富的案例分析和严谨的理论探讨,不仅提升了对接受研究的认识,也激发了更多关于文化交流与理解的思考。 总体而言,这本著作以其系统性、细致性以及开阔性,构建了一个有力的新视角,帮助读者深入理解文学作品在美国社会中的复杂接受过程。这一研究不仅具有学术价值,更能够引导人们重新审视文化与艺术之间的互动关系。书中详尽的内容和多层次的分析,为任何希望探索美国文学接收研究的读者提供了坚实的基础。 该书特别适合对美国文化史、文学理论以及跨学科研究感兴趣的人士阅读,因为它不仅关注文学本身,更深入挖掘了其与社会背景之间深刻的联系。通过一系列精心策划的章节和案例分析,作者成功地展示了接受研究在理解大众文化中的重要作用。这为进一步的学术讨论和实践研究提供了丰富的素材和思考方向,值得读者仔细阅读和深入思考。

作者简介

目录信息

Philip Goldstein and James L. Machor, Introduction: Reception Study:
Achievements and New Directions i
I. (Re)Theorizing Reception Study
Patrocinio Schweickart, "Understanding an Other: Reading as a Receptive
Form of Communicative Action" 1
Steven Mailloux, ¿Judging and Hoping: Rhetorical Effects of Reading
about Reading.¿ 35
Jack Bratich, ¿Activating the Multitude: Audience Powers and Cultural Studies¿ 49
Tony Bennett, "Habitus Clivé: Aesthetics and Politics in the Work of
Pierre Bourdieu" 90
II. Texts, Authors, and the Receptions of Literature
James L. Machor, ¿The American Reception of Melville's Short Fiction
in the 1850s¿ 138
Kenneth Roemer, "Placing Readers at the Forefront of Nowhere: Reception
Studies and Utopian Literature" 158
Philip Goldstein, ¿Richard Wright's Native Son: From Naturalist Protest to
Modernist Liberation and Beyond¿ 192
Amy Blair, ¿Main Street Reading Main Street¿ 223
Leonard Diepeveen, ¿Learning from Philistines: Suspicion, Refusing to Read,
and the Rise of Dubious Modernism¿ 255
Marcial Gonz lez, ¿Reception and Authenticity: Danny Santiago¿s
Famous All Over Town" 286
Charlotte Templin, "Discourses in Dialog: The Reception of Alix Kate
Shulman's Memoirs of an Ex-Prom Queen" 311
III. Books, Print Culture, and Historical Sites of Reception
Ellen Gruber Garvey, "The Power of Recirculation: Scrapbooks and the
Reception of the Nineteenth-Century Press" 335
David Paul Nord, "Accuracy or Fair Play? Complaining About Newspapers in
Early Twentieth-Century New York" 371
Barbara Hochman, "Sentiment without Tears: Uncle Tom's Cabin as History
in the 1890s" 404
IV. Media and Cultural Studies
Janet Staiger, ¿Kiss Me Deadly: Cold War Threats from Spillane to Aldrich,
New York to Los Angeles, and the Mafia to the H-Bomb¿ 434
Rhiannon Bury, ¿Textual Poaching or Game Keeping? A Comparative Study
of Two SixFeet Under Internet Fan Forums¿ 450
Andrea Press and Camille Johnson-Yale, "Political Talk and the Flow of
Ambient Television: Women Watching Oprah in an African-American
Hair Salon" 477
V. Retrospective Prospects
Janice Radway, "What's the Matter with Reception Studies? Some Thoughts
on the Disciplinary Origins, Conceptual Restraints, and Persistent Viability
of a Paradigm" 507
Toby Miller, "The Reception Deception" 548
Notes on Contributors 578
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