"From de Blasi ( The Lady in the Palazzo , 2007, etc.), a fragrant tale of life and love in the mountains of Sicily.Shortly after the Venetian interlude she luxuriously captured in A Thousand Days in Venice (2002), the author accepted an assignment to write a magazine article on the interior regions of Sicily. Like many other journalists, she was met by silence from the wary Sicilians. She was about to retire to the mainland when she stumbled upon Villa Donnafugata, whose romantic turrets, towers, balconies and chromatically tiled roof were surrounded by gardens, fields, piazzas and hills. The black-draped, oldish women in residence tended to their various labors, chanted, laughed and prayed. The sun was hot, the smell of herbs suffused the air. Was this a fever dream? de Blasi wondered. No, but it was surely a place from another time, and how it emerged out of feudalism through an act of moral modernity was a story unfurled to the author by the villa’s mistress, Tosca. The tale, which comprises most of the book, is a marvel. As a child of nine or ten, Tosca was sent by her horse-breeder father to live with a Sicilian prince, Leo, who “had a stallion that Tosca’s father wanted more than his daughter.” Early rebellion gave way to affection, then love. Together, in the years following World War II, the prince and his ward brought education, health care and a shared sense of purpose to the village around their manor. Rapture and grief came in measured doses, but ultimately Leo was run out of town for his affront to the “centuries’-old system of hierarchy that kept the wealthy in comfort and the poor in misery.” Even in 1995, when de Blasi first visited Donnafugata, the old ways abided, like the shawl Tosca wore at night, still permeated with the scent of her beloved. Swift, sinuous, deep and brimming with cultural artifacts."
-Kirkus Reviews
"Strangers seldom wander into the mountainous wild at Sicily’s heart. The locals, having resisted repeated waves of invaders, maintain their own traditions in defiance of the outside world. So when de Blasi and her Venetian husband trek into Sicily’s core in search of background for a travel guide, they discover a world much removed from modern life. Persevering in what seems a fruitless search, they finally stumble upon the Villa Donnafugata, an old wreck of a castle presided over by an imperious woman called Tosca. The villa has become a refuge for widows from the region. It also houses a birthing clinic, vital to the mountains’ isolated women. The residents eat well and heartily, the leftovers distributed to the local town’s poor. De Blasi uncovers Tosca’s past, an extraordinary tale of passion and love stretching over decades of the twentieth century. Admirers of this author will relish her latest volume."
- BOOKLIST
“At villa Donnafugata, long ago is never very far away,” writes bestselling author Marlena de Blasi of the magnificent if somewhat ruined castle in the mountains of Sicily that she finds, accidentally, one summer while traveling with her husband, Fernando. There de Blasi is befriended by Tosca, the patroness of the villa, an elegant and beautiful woman-of-a-certain-age who recounts her lifelong love story with the last prince of Sicily descended from the French nobles of Anjou.
Sicily is a land of contrasts: grandeur and poverty, beauty and sufferance, illusion and candor. In a luminous and tantalizing voice, That Summer in Sicily re-creates Tosca’s life, from her impoverished childhood to her fairy-tale adoption and initiation into the glittering life of the prince’s palace, to the dawning and recognition of mutual love. But when Prince Leo attempts to better the lives of his peasants, his defiance of the local Mafia’s grim will to maintain the historical imbalance between the haves and the have-nots costs him dearly.
The present-day narrative finds Tosca sharing her considerable inherited wealth with a harmonious society composed of many of the women–now widowed–who once worked the prince’s land alongside their husbands. How the Sicilian widows go about their tasks, care for one another, and celebrate the rituals of a humble, well-lived life is the heart of this book.
Showcasing the same writerly gifts that made bestsellers of A Thousand Days in Venice and A Thousand Days in Tuscany , That Summer in Sicily , and de Blasi’s marvelous storytelling, remind us that in order to live a rich life, one must embrace both life’s sorrow and its beauty. Here is an epic drama that takes readers from Sicily’s remote mountains to chaotic post-war Palermo, from the intricacies of forbidden love to the havoc wreaked by Sicily’s eternally bewildering culture.
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我向来对那些故作高深、堆砌辞藻的小说敬而远之,但这本书完全不同,它的语言是克制的,却充满了蕴藉。它不像某些文学作品那样咄咄逼人地要求你“理解”它,而是像一个老朋友在耳边低语,分享着生活的细枝末节。我非常欣赏作者在处理叙事视角转换时的流畅度,从一个角色的主观感受瞬间切换到另一个角色的客观观察,过渡得天衣无缝,没有丝毫的割裂感,反而增强了故事的整体丰满度。这本书的“张力”不是来自于外部的冲突,而是来自于内在的压抑与释放,那种情绪的暗流涌动,比任何表面的争吵都更具穿透力。我甚至可以想象,如果把这本书改编成电影,它的色调会是柔和的暖黄色,配乐会是悠扬的大提琴曲,因为它本身就充满了画面感和旋律感。这是一本值得反复品读的书,因为每一次重读,你都会在不同的心境下,捕捉到之前忽略的细节和更深层次的含义。
评分这部作品的叙事结构简直是一场高明的迷宫游戏,让你在不知不觉中被引向核心,却又忍不住在岔路口徘徊驻足。它最成功的地方在于,它敢于留白,不把话说得太满,把解释和揣摩的空间交还给了读者。很多时候,一个眼神,一个未尽的句子,比长篇大论的解释更有力量。我发现自己会不自觉地代入其中某个角色的立场,去审视另一个人,这种代入感非常强烈,几乎达到了“共情”的程度。作者对人性的弱点和光辉面都展现得毫不留情却又充满温情,她没有将任何角色塑造成完美无瑕的英雄或纯粹的恶棍,而是描绘了他们在灰色地带的挣扎与和解。尤其欣赏的是,故事在处理情感转折时,没有采用那种俗套的“顿悟”时刻,而是展现了情感积累的必然性,那是一种“水到渠成”的自然爆发或平静收场,非常真实可信。对于喜欢深入剖析人物心理和精妙对话的读者来说,这本书无疑是一次盛宴。
评分这本书带给我的阅读体验,是一次对“生活本真”的重新审视。它没有提供任何可以轻易抓住的答案或教条,而是像一面镜子,折射出我们自身在面对选择、面对失去时最真实的反应。我特别欣赏作者对于细节描写的专注,那种对日常琐事的细致入微的捕捉,反而提升了整个故事的哲学深度。比如某次对一顿晚餐的细致描述,就不仅仅是关于食物本身,更是关于陪伴的意义和情感的流动。叙事者的声音是那么的沉稳和富有洞察力,他/她似乎看透了人性中最脆弱的部分,却用一种无比宽容的态度去接纳这一切。这本书的魅力在于其内在的“呼吸感”,你可以在文字中感受到角色的起伏跌宕,他们真实的喘息声和沉默。它提供了一种难得的慢下来、去感受“存在”本身的力量。读完后,我感觉到心胸变得开阔了许多,仿佛被温柔地提醒了,生命中的许多美好,都藏在那些我们习以为常的瞬间之中。
评分这本小说简直就是一剂治愈人心的良药,尤其是对于那些在都市生活中感到疲惫和迷失的人来说。故事的节奏把握得恰到好处,作者似乎深谙如何用细腻的笔触描绘人物内心的挣扎与成长。我特别喜欢主人公在面对困境时所展现出的那种坚韧,那种不是歇斯底里的爆发,而是带着一种岁月沉淀后的豁达。书中的那些环境描写,栩栩如生地将我带入了一个充满阳光和古老气息的场景,光影的变幻,空气中弥漫的味道,都仿佛触手可及。读到一些关于家庭关系和友情的部分时,我常常会停下来,回味很久,因为那些对话和情景,太真实了,真实到让我几乎能听到我身边某个朋友的叹息。这本书没有刻意去营造戏剧性的高潮,所有的情感推进都像是自然而然的水流,缓慢却坚定地冲刷着内心的壁垒。它不追求宏大的叙事,而是将重点放在了个体生命的微小涟漪上,但正是这些微小的涟漪,汇聚成了打动人心的力量。读完合上书的那一刻,心中涌起的是一种平静的满足感,仿佛自己也完成了一次心灵的漫游,带着一些新的感悟和对生活更深的理解,重新回到了自己的现实世界。
评分坦白说,我一开始对这种“慢节奏”的叙事抱持着一丝怀疑,但很快就被它那种近乎诗意的散文笔法所吸引。作者的文字功底毋庸置疑,她的遣词造句有一种老派的优雅,但绝不晦涩难懂,反而有一种引导人进入角色的魔力。我尤其欣赏她对于内心独白的刻画,那些看似漫不经心、零散的思绪,串联起来却揭示了人物复杂而多层次的性格结构。书中对于“时间”这个概念的处理非常巧妙,它既是线性的推进,又是循环往复的记忆碎片,过去和现在在特定的场景下交织重叠,产生了一种奇妙的张力。更令人称道的是,小说中的配角塑造得同样立体饱满,他们不是推动主角成长的工具人,而是拥有自己完整世界观的独立个体,他们偶尔的介入,往往能带来意想不到的启发。这本书更像是一部精心编织的挂毯,每一根线,每一个颜色,都有其存在的必要性,共同构成了一幅复杂而和谐的画面。阅读的过程更像是一种沉浸式的体验,你需要放慢自己的呼吸,去捕捉那些藏在字里行间,稍不留神就会错过的精妙之处。
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