肖恩·麥金托什,(Shawn McIntosh),哥倫比亞大學繼續教育學院策略傳播項目的講師,曾參與編寫《融閤媒體:大眾傳播導論》一書。
馬剋·萊弗裏特,(Marc Leverette),科羅拉多州立大學語言傳播係媒體研究專業的助理教授,曾參與編寫《這不是電視:在後電視時代看HBO》一書。
Why have zombies resonated so pervasively in the popular imagination and in media, especially films? Why have they proved to be one of the most versatile and popular monster types in the growing video game industry? What makes zombies such widespread symbols of horror and dread, and how have portrayals of zombies in movies changed and evolved to fit contemporary fears, anxieties, and social issues? Zombies have held a unique place in film and popular culture throughout most of the 20th century. Rare in that this enduring monster type originated in non-European folk culture rather than the Gothic tradition from which monsters like vampires and werewolves have emerged, zombies have in many ways superseded these Gothic monsters in popular entertainment and the public imagination and have increasingly been used in discussions ranging from the philosophy of mind to computer lingo to the business press. Zombie Culture brings together scholars from a variety of fields, including cinema studies, popular culture, and video game studies, who have examined the living dead through a variety of lenses. By looking at how portrayals of zombies have evolved from their folkloric roots and entered popular culture, readers will gain deeper insights into what zombies mean in terms of the public psyche, how they represent societal fears, and how their evolving portrayals continue to reflect underlying beliefs of The Other, contagion, and death.
在世界各国的神话作品或传说中,都有不死生物的存在,作为恐惧的代名词,世代相传。从宽泛的角度来看,大多都可以归类为僵尸序列。僵尸大致可以分为两种,心灵僵尸和行尸走肉。心灵僵尸是没有身体的灵魂,而“行尸走肉”的僵尸则是没有灵魂的身体。在亚洲国家,大多是鬼魂之类...
評分单从书名来讲,僵尸+电影,正是对口。猫靴在电影和读书方面属于射程很短,火力很猛那种,严重偏科。读起来却发现完全不是那么回事,只能说这本书并没有刷新我知识面,大多是集中在乔治A罗梅罗和意大利铅黄电影那一段时期,严格来讲,想象力受到了局限,抑或说,过于正统学院派...
評分看一本的时候,总在抱不平,显然是痛苦的事,与此同时还要在头脑中回想和追溯各种不堪和充满血浆的画面,那简直是另一重痛苦了。我在看《电影中的僵尸文化》一书,我为何不平呢?因为居然没有东方僵尸的一席之地,死而不僵反成僵尸,由一方驱动,结局惨凄,“灵鬼簿“未曾录闻...
評分单从书名来讲,僵尸+电影,正是对口。猫靴在电影和读书方面属于射程很短,火力很猛那种,严重偏科。读起来却发现完全不是那么回事,只能说这本书并没有刷新我知识面,大多是集中在乔治A罗梅罗和意大利铅黄电影那一段时期,严格来讲,想象力受到了局限,抑或说,过于正统学院派...
評分单从书名来讲,僵尸+电影,正是对口。猫靴在电影和读书方面属于射程很短,火力很猛那种,严重偏科。读起来却发现完全不是那么回事,只能说这本书并没有刷新我知识面,大多是集中在乔治A罗梅罗和意大利铅黄电影那一段时期,严格来讲,想象力受到了局限,抑或说,过于正统学院派...
論文集是個坑,有幾篇還是不錯的,很好的梳理瞭僵屍電影曆史與文化影響,水文也有那麼幾篇
评分論文集是個坑,有幾篇還是不錯的,很好的梳理瞭僵屍電影曆史與文化影響,水文也有那麼幾篇
评分論文集是個坑,有幾篇還是不錯的,很好的梳理瞭僵屍電影曆史與文化影響,水文也有那麼幾篇
评分論文集是個坑,有幾篇還是不錯的,很好的梳理瞭僵屍電影曆史與文化影響,水文也有那麼幾篇
评分論文集是個坑,有幾篇還是不錯的,很好的梳理瞭僵屍電影曆史與文化影響,水文也有那麼幾篇
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