Born in 1926, Paulin came of age as a photographer in the 1940s studying with the likes of Harry Callahan and art director Alexey Brodovitch. By the 1950s, the streets of New York City had established themselves as Paulin's primary muse, and black-and-white film his medium. The book features images from his prodigous body of work created over four decades, in New York City, as well as Paris, Seville, New Orleans and Atlantic City. "Street photographers are of course well known for their agility, quick reflexes, and elusive conduct. In order to catch a social reality on the wing, they behave as surreptitious observers, hopefully unnoticed by passersby... What comes out of this practice is serendipitous and clandestine work that demands patience. In Frank Paulin's case, they include encounters that he let happen or couldn't help... He works between split second decision and latent artifice, at the same time exploiting the charge that atmosphere gives to physiognomy."--Max Kosloff, from the introduction, 2007
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看得多了，竟然真的会有顿悟感。被封面吸引，满满的Hope风，但又比Hope温暖和幽默。S小姐说把它摆在家里，可以看看别人看世界的角度。于我，则开始让人着迷，我的兴趣不只在儿童与老人，青年与中年皆有其日常的美感与神态（人物的与环境的）传递出来的内在引力。
评分看得多了，竟然真的会有顿悟感。被封面吸引，满满的Hope风，但又比Hope温暖和幽默。S小姐说把它摆在家里，可以看看别人看世界的角度。于我，则开始让人着迷，我的兴趣不只在儿童与老人，青年与中年皆有其日常的美感与神态（人物的与环境的）传递出来的内在引力。
评分看得多了，竟然真的会有顿悟感。被封面吸引，满满的Hope风，但又比Hope温暖和幽默。S小姐说把它摆在家里，可以看看别人看世界的角度。于我，则开始让人着迷，我的兴趣不只在儿童与老人，青年与中年皆有其日常的美感与神态（人物的与环境的）传递出来的内在引力。
评分看得多了，竟然真的会有顿悟感。被封面吸引，满满的Hope风，但又比Hope温暖和幽默。S小姐说把它摆在家里，可以看看别人看世界的角度。于我，则开始让人着迷，我的兴趣不只在儿童与老人，青年与中年皆有其日常的美感与神态（人物的与环境的）传递出来的内在引力。
评分看得多了，竟然真的会有顿悟感。被封面吸引，满满的Hope风，但又比Hope温暖和幽默。S小姐说把它摆在家里，可以看看别人看世界的角度。于我，则开始让人着迷，我的兴趣不只在儿童与老人，青年与中年皆有其日常的美感与神态（人物的与环境的）传递出来的内在引力。
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