In the summer of 1910, Northern Rockies wildfires scorched millions of acres in the West, darkened skies in New England, and deposited soot on the ice of Greenland. The flames ravaged pristine wilderness along with farms, towns, and mining camps, culminating in the deaths of seventy-eight firefighters in the Big Blowup along the Montana-Idaho border. The blazes also illuminated a national debate raging about fire policy. Year of the Fires is the fascinating story of that catastrophic year and its pivotal role in establishing how we deal with forest fire in this country. Everything from the tools firefighters carry to strategies of land management was shaped by the fires of 1910.
Stephen Pyne not only explains how the fires occurred, how they were fought, and who fought them, but also puts the event in the context of America s changing attitudes about forests and fires. In 1910 steam-powered trains were spewing sparks across the West while homesteaders were burning their way into the woods to create farms and settlements. Teddy Roosevelt had just doubled the size of the forest reserves, and the idea that timber is finite was just entering American consciousness. The Forest Service, only five years old, was struggling to solidify its role. And even as the country s first foresters were facing the question of how to protect the new public lands, the West exploded in fire. Pyne brings that astonishing year to life in a riveting narrative of the fires, the people, and the decisions that continue to affect American life.
Stephen Pyne is a professor in the School of Life Sciences at Arizona State University, an internationally recognized fire historian, and a past member of the North Rim Longshots, a Grand Canyon firefighting crew. Among his other fire books are Fire in America: A Cultural History of Wildland and Rural Fire, World Fire: The Culture of Fire on Earth, and Smokechasing.
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这部作品的叙事手法堪称一绝,作者在构建世界观时展现了令人惊叹的想象力。故事的开篇便将读者迅速带入一个充满未知与危险的境地,每一个场景的描绘都细致入微,仿佛触手可及。人物的塑造更是立体而复杂,他们的动机和挣扎在情节的推进中层层剥开,让人在阅读过程中不断反思人性深处的灰色地带。尤其值得称道的是,作者对于节奏的把握极为精准,时而紧凑激烈,扣人心弦;时而又放缓笔触,进行深沉的哲学探讨,这种张弛有度的叙事节奏,使得整部作品的阅读体验极为流畅且富有层次感。我发现自己常常在某个关键转折点停下来,琢磨作者的用意,这无疑是一部需要读者全神贯注去品味的佳作,它不仅仅讲述了一个故事,更像是在引导我们进行一场关于存在与选择的深刻对话。
评分读完这本书,我最大的感受是其文字的力量。作者的语言风格是如此鲜明而独特,充满了诗意的张力和隐晦的象征意义。他很少直接给出答案,而是通过一系列意象和隐喻,搭建起一个多义的解读空间。初读时或许会感到有些晦涩,但随着深入,那些看似零散的碎片会逐渐拼凑出宏大而令人震撼的图景。我特别欣赏作者在描述环境和氛围时所采用的细腻笔触,那种弥漫在字里行间的忧郁与苍凉感,深深地烙印在了我的脑海中。这不是那种快餐式的娱乐读物,它要求读者投入时间和心力去挖掘字里行间蕴含的深层意涵,它挑战了我们对既有叙事模式的期待,提供了一种近乎文学实验的阅读体验。
评分这部小说的世界构建可以说是令人叹为观止的细节积累。作者似乎花费了巨大的心力去打磨每一个微小的设定,从社会运行的底层逻辑到那些独有的风俗习惯,都显得无比真实且自洽。这种沉浸式的体验是如此强烈,以至于我几乎感觉自己已经成为了那个世界的一部分。我尤其喜欢那些关于日常物品和地方的描写,它们被赋予了超越其物质本身的意义,成为了角色命运的隐喻。这种详尽而又充满氛围感的描述,让整个叙事背景拥有了鲜活的生命力,它不再仅仅是故事发生的舞台,而是故事本身的重要参与者。阅读这样的作品,就像是进行了一场精心策划的、对未知领域进行深度探访的旅行。
评分从主题深度来看,这部作品探讨的议题是极其宏大且发人深省的。它触及了记忆的本质、历史的不可靠性以及个体在巨大系统面前的无力感。作者没有采取说教式的口吻,而是将这些深刻的哲学命题融入到角色们日常的困境和挣扎之中。我特别关注了其中对于“失落”这一概念的处理,它不仅是物理上的失去,更是身份认同和集体记忆的消融,这种处理方式极其触动人心。阅读过程中,我不断地被引导去审视我们自身所处的时代背景,思考我们所坚信的“真实”究竟有多少是构建出来的幻象。这是一部能让你合上书本后,依然久久无法从那种沉思状态中抽离出来的作品。
评分情节的编排上,这部小说展现了高超的结构艺术。它似乎采用了非线性的叙事结构,时间线索在不同的章节间跳跃、交织,但作者却巧妙地用一些反复出现的母题和符号将这些看似零散的部分紧密地联系在一起。这种处理方式极大地增强了故事的悬念感和宿命感。你永远不知道下一页会揭示出怎样的过去或预示着怎样的未来,这种持续的不可预测性,让翻页的动作变得充满期待和一丝不安。更令人称奇的是,即使在如此复杂的结构下,核心的情感线索始终清晰可辨,支撑着整个庞大故事的运转。这不仅仅是写作技巧的炫耀,更是对读者智力的一种尊重,它相信读者有能力去梳理和理解这种精巧的布局。
评分What a big ass waste of time
评分What a big ass waste of time
评分What a big ass waste of time
评分What a big ass waste of time
评分What a big ass waste of time
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