Sarah Lowengard, an independent scholar, received her Ph.D. at the State University of New York at Stony Brook.
Rarely Does A monograph cross the Channel and say new and interesting things about the scientific culture of both England and France. By using color as a practice as well as a branch of optical theory, Sarah Lowengard manages to weave together material culture and abstract science. She focuses on the activities and interactions of philosophers and artisans as well as the intersecting concerns of painters, printers, dyers, glassmakers, and ceramicists to reveal how knowledge was acquired and disseminated across a variety of disciplines in eighteenth-century Europe.
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