Ronny Jaques, a contemporary of Richard Avedon, Lillian Bassman and Horst, expertly captured the 1950s haute couture scene, with portraits of gracefully elegant women dressed in their finest Diors, Balenciagas and Lanvins. But more than that Jaques, who passed away this summer at age 98, was a talent who was always in the right place at the right time - he and his camera moved easily from high society to travel and from fashion to serious photojournalism. Collected here for the first time in 'Stolen Moments: The Photographs of Ronny Jaques' is a treasure trove of photographs taken by one of the most influential - and least recognised - magazine photographers of his generation, who shot for such magazines as 'Town&Country', 'Harper's Bazaar', 'Holiday' and 'Gourmet'. Jaques worked solo, without the entourage of assistants that most photographers demand today, and in his hands the camera functioned less like a tool and more like an extension of himself. This enabled him to capture a rare sense of intimacy and immediacy among his subjects, whether they happened to be among the world's most photographed icons, models displaying the newest fashions, or captivating landscapes during a trip across Ireland. Jaques's work encompassed as many looks, styles and tastes as the people he saw and the places he traveled while on assignment. 'Stolen Moments: The Photographs of Ronny Jaques' is the definitive collection of a master artist working at the height of his powers during a golden age of photography. Jaques's life and work, illustrated here in stunning black and white, harkens back to a period when life seemed both more glamorous and less frenetic. Curated by 'Town&Country' Editor-in-Chief Pamela Fiori, she herself one of today's top magazine editors and a longtime friend of Jaques, 'Stolen Moments' is a record of fifty years of vintage photography. While Jaques's work may be instantly recognisable - there is no mistaking his signature grace and style - little is known about the legend behind the lens. Fiori explores his life and contextualises his work with that of his peers. Ronny Jaques represents a rare breed of photographer, one who let his work speak for itself, never intruding on his subjects but instead capturing them in rare unguarded - or stolen - moments.
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如果要用一个词来概括这本书带给我的整体感受,那大概是“挥之不去的回响”。它不是那种读完后合上书本就遗忘的故事,而是像一首旋律,在你脑海中反复播放,不断有新的理解和新的角度冒出来。尤其是对主题的处理,它没有给出任何明确的道德裁决或简单的答案,而是将一个核心的哲学困境——关于选择的代价与自由的界限——抛给了读者,让你自己去承受和思辨。每当我试图去总结它究竟是关于“救赎”还是“毁灭”时,我都会发现,作者似乎故意设置了陷阱,让所有简单的归类都变得站不住脚。这种开放式的结局和对人性的深刻叩问,使得这本书具有了极高的重读价值,每一次重温,都会有新的光照亮那些原本晦暗的角落。
评分语言风格的巨大跳跃性是这本书最让我感到惊艳的地方之一。在描绘宏大的历史背景或家族秘辛时,文字变得极其庄重、古典,用词考究,仿佛能听到古老的钟声回荡;可一旦场景切换到角色之间的私密交谈或者内心挣扎时,语言又立刻变得口语化、尖锐且充满现代的疏离感。这种在不同“语境”间的无缝切换,非但没有造成阅读上的撕裂感,反而像是一个高明的音乐家,在奏鸣曲中突然插入一段极具感染力的即兴爵士乐,带来强烈的冲击和新鲜感。这种驾驭不同风格的能力,显示出作者深厚的文学功底,也让整部作品的质感变得极为丰富,它既有史诗的厚重,又不失个体情感的细腻与真实,避免了落入刻板的文学腔调。
评分这本书的叙事节奏掌控得极其精妙,初读之下,我感到了一种近乎催眠的平稳,仿佛作者并不急于抛出任何高潮,而是耐心地、如同一个老练的匠人,一点点地铺陈开来。初期的几章,情节推进缓慢,大量笔墨聚焦于环境的描绘和人物内心微妙的波动上,这让很多追求快节奏刺激的读者可能会感到不耐烦,但我却从中体会到了一种久违的沉浸感。作者似乎深谙“少即是多”的道理,每一个场景的转换都衔接得天衣无缝,你完全不会察觉到时间的流逝。直到故事进行到中期,那种潜藏的暗流才开始缓慢浮现,所有的铺垫在那一刻像是被精准地触发了,所有看似不经意的细节,突然间都找到了它们最终的落点,形成了一种令人拍案叫绝的结构美感。这种叙事手法,需要读者具备极大的耐心和细致的观察力,因为它不是强行将信息灌输给你,而是引导你主动去发掘那些深藏在字里行间的线索,完成后会带来巨大的智力满足感。
评分这本书的装帧设计简直是一场视觉盛宴,封面那种深邃的蓝与封底那抹突兀的亮红形成了极具张力的对比,让人忍不住想一探究竟。拿到手里的时候,那种厚重而细腻的纸张触感,瞬间就将我从日常的喧嚣中抽离出来,仿佛我已经踏入了作者精心构建的那个充满秘密与未知的世界。书脊上的烫金字体在光线下闪烁着低调的奢华,透露出一种古典而神秘的气息,完全不像现在市面上那些轻飘飘、快餐式的读物。我花了相当长的时间仅仅是翻阅目录和前言,作者的遣词造句充满了古典文学的韵味,每一个词语的选择都像是经过了千锤百炼,绝不敷衍。那种文字的力量,在尚未深入故事情节时,就已经开始在我心头酝酿出一种期待感,仿佛我即将阅读的不是一个故事,而是一段被封存的、需要极其郑重对待的历史碎片。整体来看,光是这份对实体的尊重和对细节的打磨,就足以让我对这本书抱有极高的期待值,它显然是为那些真正热爱阅读、注重体验的读者准备的珍藏品。
评分我特别欣赏作者在人物塑造上所展现出的那种复杂性和模糊性。书中的主角们绝非简单的“好人”或“坏蛋”的二元对立符号,他们都带有深刻的人性阴影和自我矛盾。比如,那个看似坚不可摧的领袖人物,在午夜梦回时展现出的那种脆弱和对过往的执念,写得入木三分,让人既同情又警惕。作者没有用大段的心理独白来解释人物的动机,而是通过极其生活化、甚至有些笨拙的对话和行动来侧面烘托,这种“留白”的处理,使得读者不得不自己去填充和解读,从而让每个人物在我心中都拥有了独一无二的、鲜活的立体感。我甚至觉得,书中的某些配角,其复杂程度和魅力,丝毫不逊色于主角团,他们就像是精密钟表上的齿轮,每一个微小的转动都对整体的运转至关重要,却又各自怀揣着不为人知的秘密使命。
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