"Wild as sin and as exceptional as the lower reaches of insanity itself."--Norman Mailer "One of the most perverse satires I've ever read."--Jonathan Lethem " A] Vonnegut-worthy satire." --Joshua Glenn, Boston Globe "A postmodern examination of the self that teases the very idea of postmodernism... that rare bit of lampoonery that is both humorous and smart." --Tod Goldberg, Los Angeles Times Book Review "Half DeLillo's Jack Gladney, professor of Hitler studies at College-on-the-Hill, and half Christopher Hitchens, Linchak is a model pundit for a post-9/11 age: death-obsessed, long-winded, addicted to Googling himself, and, on the sly, an inveterate nose-picker. Crust is about mindless compulsion, or the digital search for oblivion, or a comment on the jaded habits of a citizenry that's had its private domain annexed by omnipotent admen." --Zach Baron, Village Voice The epigraph for this uproarious novel is from Marcel Duchamp: "Everything that man handles has a tendency to secrete meaning." In this case, the secretion begins as a crust in the nose of famed novelist Walker Linchak. Its extraction leads to further secretion in the form of intellectual and spiritual insight into "the habit once called nose-picking"; a book, The Complete Book of Nasalism, a memoir about his breakthrough; an endless succession of blog entries; and a constant rush of e-mail exchanges with friends like George W. Bush, who is moved by Linchak's passion for the habit to confess his own on Larry King Live. Joining the stream of nose-picking research and literature that already exists on the Internet, Linchak's secretion generates more of the same in books, the visual arts, all forms of media, academic scholarship, and medical and scientific research on crusts and their extraction. Crust is the book that Swift would produce if he took on Information Glut. Lawrence Shainberg is the author of two novels--One on One and Memories of Amnesia--and the nonfiction books Brain Surgeon: An Intimate View of His World and Ambivalent Zen. His fiction and journalism have appeared in Esquire, Harper's Magazine, Tricycle, and The New York Times Magazine. He is the recipient of a Pushcart Prize for a monograph on Samuel Beckett, published in The Paris Review.
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这是一本读起来让人感到酣畅淋漓的书,仿佛经历了一场酣畅淋漓的搏击赛。它的节奏快得让人肾上腺素飙升,那种紧凑感,让你根本舍不得放下书本,恨不得一口气读到天亮。虽然情节发展迅猛,但角色间的化学反应却异常真实和火花四射。特别是两位主要人物之间的对立与合作,那种互相试探、互相依赖的微妙平衡,写得极其精彩。我尤其喜欢作者在动作场面上的描绘,动作干净利落,充满画面感,完全可以想象成一部高成本制作的电影剧本。相比于那些故作高深的文学作品,这本书胜在它的纯粹和力量感,它直接击中你最原始的阅读欲望——渴望知道接下来会发生什么。对于寻求刺激和快速代入感的读者来说,这本书绝对是近期发现的宝藏。
评分说实话,刚开始看这本书的时候,我差点被它那种略显晦涩的开场给劝退了。叙事视角跳跃得很快,信息量也很大,感觉像突然被扔进了一个已经高速运转的机器中间。但一旦熬过了最初的适应期,那种迷恋感就彻底占据了我的阅读体验。作者的笔触非常冷峻,几乎没有多余的煽情,所有的情感都内化在了人物的行为和选择里,需要读者自己去发掘。我特别欣赏作者对社会结构和权力体系的讽刺描摹,那种不动声色的批判力量,比直接的控诉更有穿透力。这本书的节奏控制堪称大师级别,知道何时该加速,何时又该突然刹车,让你在最紧张的时候获得片刻喘息,然后又迅速被拉回漩涡中心。它迫使我去思考很多现实中避而不谈的问题,读完后我的思维模式似乎也跟着被重新校准了一遍,非常具有启发性。
评分这本小说简直是一场感官的盛宴,作者构建的世界观宏大而又细腻,角色的塑造更是令人拍案叫绝。我尤其喜欢那种在看似平静的日常下,暗流涌动的紧张感,仿佛随时都有什么重大的秘密会被揭开。故事情节跌宕起伏,每一次转折都出乎意料,却又在回过神来后觉得合情合理。文字功底极其深厚,一些场景的描绘,比如光影的变化、人物的微表情,都处理得入木三分,让人仿佛身临其境。阅读的过程更像是一场智力的游戏,跟随主角的视角抽丝剥茧,去探寻那些隐藏在迷雾之中的真相。这本书的格局远超一般的通俗小说,它探讨了人性、选择和命运的复杂性,读完后久久不能平静,需要时间去消化其中的深意。我强烈推荐给所有喜欢深度阅读和复杂叙事的读者,这绝不是一本可以轻松翻过的小说,它值得你投入全部的注意力去品味。
评分这本书最让我感到惊喜的是它在叙事手法上的创新尝试。它不是线性的,而是像一块被打碎又重新拼凑起来的玻璃,每一片碎片都映照着不同的时间点和人物心境,需要读者自己去寻找正确的拼接顺序。这种碎片化的叙事方式非但没有造成阅读障碍,反而极大地增强了悬念和神秘感。随着故事的推进,那些原本看似不相干的线索慢慢交汇,当最终的真相浮出水面时,那种豁然开朗的震撼感是无与伦比的。我必须称赞作者的耐性,能在如此复杂的结构中保持逻辑的严密性,实属不易。它考验读者的专注度,但回报是巨大的认知满足感。读完后我立刻想回头重读一遍,去寻找那些当初因为信息不足而错过的伏笔,这种二次阅读的价值极高。
评分坦白讲,我原本以为这是一本会比较沉闷的历史或社会题材小说,结果大跌眼镜。作者以一种近乎散文诗般的优美笔触,描绘了一个架空世界中个体的挣扎与抗争。这本书的语言充满了音乐性,许多句子读起来朗朗上口,即便是一些描述绝望或痛苦的段落,也带着一种奇特的、令人心碎的美感。它没有激烈的冲突场面,但人物内心的波澜壮阔却丝毫不逊色于任何史诗巨作。那种对“存在”意义的探讨,细腻而温柔,像春日里的微风拂过,却能留下深深的痕迹。我尤其欣赏作者对环境和氛围的营造,仿佛能闻到空气中泥土和露水的味道,能感受到角色皮肤上拂过的微凉。这是一本需要安静、在独处时细细品味的佳作,适合那些在喧嚣中寻找片刻宁静和深刻共鸣的灵魂。
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