"In 1991, troops sent to Iraq for the first Gulf War returned home with a litany of physical, neurological, and psychological symptoms that collectively became known as Gulf War syndrome. Eisenberg bravely sheds light on the resultant devastation suffered by one small group of friends and their families...In a story that is, sadly, as pertinent as it is ageless, Eisenberg poignantly demonstrates that casualties of war occur both on and off the battlefield and ironically illustrates the vivid consequences when those in charge of veterans' postwar care fail to meaningfully 'support our troops'"--Booklist When You Come Home is both a timeless love story and a timely political novel set in the year after the 1991 Gulf War. In the Gulf sands, surrounded by death and danger, marine reservist Anthony Bravo has thought only of Lily, the feisty orphan raised in his home, and when he comes home, their childhood affection flames into passionate love. Both have lost fathers to the Vietnam War, but now, safe and settled, they rejoice that war and loss are behind them at last. Or, so it seems. Soon Tony's best friend, a career marine, suffers fevers and strange symptoms . . . Blending war and politics with a human story, When You Come Home takes up a topic rare in American fiction, the First Gulf War and Gulf War syndrome, the disabling illness that followed a third of the troops home. Ultimately, the novel demonstrates that war devastates not only losers but winners, resounding with meaning as we consider not only our past but our present and future. Nora Eisenberg infuses her work with pressing social and political themes, averting polemics through a distinctive poignancy and hilarity. Nora Eisenberg holds a PhD from Columbia University and currently directs the City University of New York's Faculty Publication Program. She is the author of two critically acclaimed novels, The War at Home and Just the Way You Want Me (Leapfrog Press). Her stories, essays, and reviews have appeared in The Village Voice, Partisan Review, Tikkun, and Los Angeles Times, among others. "In her new novel, When You Come Home, Nora Eisenberg uses her estimable talent to explore the human cost of modern war. And thanks to that talent, her book is not only timely but timeless. It deserves a wide readership in this difficult age."--Robert Olen Butler "Nora Eisenberg has given us an intimate portrait, both heart-breaking and eye-opening, of the young men and women whose lives were destroyed by the first Gulf War. Everyone who wants the war in Iraq to end tomorrow should read this book today."--Vivian Gornick "Nora Eisenberg brilliantly uses the first Gulf War as a literary vehicle to convey the horrible realities that veterans and their families have to live with when "the war is over." From PTSD to Agent Orange to Gulf War Syndrome to Depleted Uranium, the reader will understand and feel the everlasting wounds, and the pain and destruction that war continues to inflict upon people way after victory is announced. When You Come Home paints a more accurate portrait than any official or glorifying account of war. It is a principled and beautifully written call to reason, to action, and to why we must embrace peace."--Camilo Mejia "This book is great in every detail. It has drama, suspense, and even happiness throughout all the drama. I will suggest it to anyone that is looking for to enlighten his mind over the ponderous issues of war veterans in America: their plight, their endless vicissitudes that very few people seem to care about, apart for their close relatives. This book is a good read, one you could just sit down and read for hours on end."--CSMS Magazine "If everyone reflected as realistically as Nora Eisenberg upon war and the men and women who fight those wars, we would all look at war differently. I urge you to read this book. The story's as relevant to all of us, to our veterans who deserve our best care, and to our politics today as it was in the 1960s and the 1990s."--Jude Nagurney Camwell, Iddybud Journal "In her new book, When You Come Home, Nora Eisenberg contrasts nurturing and destruction, health and sickness, a bright future and endless suffering...The Persian Gulf War has left a...lasting stamp on Eisenberg's characters and tens of thousands of real-life veterans and their families--a brew of maladies known as gulf war illness. A federal report released in January 2009] concludes that roughly one in four of the 697,000 U.S. veterans of the 1991 gulf war suffer from this illness."--Hartford Courant " When You Come Home is] a quintessential Curbstone Press book... a] powerful story of the ongoing impact of Gulf War Illness on veterans and their families and loved ones."--Connecticut Post
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从主题立意的角度来看,这本书触及了一些非常尖锐的社会议题,比如个体在庞大社会机器面前的无力感,以及现代人对于“真实连接”的渴望与幻灭。作者似乎想通过这个看似封闭的小世界,映射出更广阔的人性困境。书中的一些象征手法运用得相当精妙,比如反复出现的“破碎的镜子”和“无人接听的电话”,都承载了多重隐喻,引人深思。这些地方,展现了作者深厚的文学底蕴和批判精神,让我一度觉得,这可能是一部能载入史册的佳作。但遗憾的是,这种深刻性似乎常常淹没在过度的象征主义和晦涩的比喻之中。有时候,我感觉作者像是在努力向我证明他“懂得很多”,而不是真诚地与我分享一个关于人心的故事。一些本该直击人心的情感爆发点,被一堆华丽但空洞的修辞硬生生地隔开,就像隔着一层厚厚的玻璃在观察一场盛大的葬礼,能看到形式,却感受不到哀伤。如果作者能稍微放下架子,用更朴素、更直接的笔触去触碰那些共通的人类情感,这本书的感染力将会提升一个数量级。
评分我必须承认,这本书的开场白给我留下了极其深刻的印象,那段关于“遗忘的艺术”的论述,简直是神来之笔,让我对接下来的阅读充满了期待。它似乎在暗示,这本书将探讨的是我们如何有意识地、甚至是策略性地去构建我们的记忆和现实。然而,随着故事的深入,我发现“遗忘的艺术”这个核心概念,并没有得到充分的挖掘和发展。它更像是一个引人入胜的钩子,将读者拉入故事,但随后,作者似乎就转向了其他不那么明确的方向。这本书的配乐感非常强,我甚至能想象出它被改编成电影时的镜头语言和背景音乐。然而,在文字层面,它缺少那种坚实的“骨架”。很多情节的转折,都依赖于某种突如其来的“巧合”或者角色的“突然顿悟”,而不是基于前期严谨的因果推导。这使得整个故事在逻辑上显得有些松散。读完后,我没有那种被一个完整世界观所震撼的感觉,反而像是在一个布置精美的布景前走了一圈,欣赏了灯光和道具,但最终发现,这个布景后面是空无一物的舞台。它很美,很有潜力,但最终的完成度,却让人感到一丝不尽兴。
评分这本书的结构设计非常大胆,它采用了非线性的叙事手法,时间线在过去、现在和一种近乎未来的预感之间来回穿梭,像是一块被打散后又用不规则的丝线重新缝合起来的挂毯。这种手法本身是令人兴奋的,因为它要求读者必须保持高度的专注和主动参与,去重建故事的完整面貌。我喜欢这种智力上的挑战,那种“啊哈!”的顿悟时刻,是阅读过程中最宝贵的奖赏。作者似乎非常热衷于在不同的视角之间切换,同一个事件,从A的角度看是悲剧,从B的角度看却成了某种解脱,这种多维度的审视角度,确实提升了作品的深度。然而,这种复杂性也带来了阅读上的疲劳感。有那么几次,我不得不停下来,拿出纸笔,试图绘制一个人物关系图和时间轴,以确保我没有漏掉任何关键的转折。这种需要借助外部工具才能勉强跟上作者思路的情况,在一定程度上破坏了沉浸式的阅读体验。一个好的故事,理应是“引人入胜”地复杂,而不是“令人费解”地复杂。我感觉作者为了展示其叙事技巧,稍微牺牲了故事本身的流畅性和可进入性。对于只想单纯享受一个好故事的读者来说,这本书可能会是一个不小的门槛。
评分我得承认,这本书的开篇给我带来了极其强烈的冲击,那种笔力千钧的叙事力量,让我几乎是屏住了呼吸读完了前三分之一。作者对于环境氛围的营造,简直达到了教科书级别的标准。无论是阴郁潮湿的地下室,还是阳光洒满却又透着腐朽气息的旧式公寓,每一个场景都仿佛被施了魔法,拥有了独立的生命力,让你感同身受那种被困住的窒息感。我特别欣赏作者在描绘内心独白时所使用的那种近乎诗歌的语言,那种破碎的、跳跃的意识流,精准地捕捉了现代人在信息爆炸时代下,思维的零散与焦虑。但是,这种高强度的阅读体验,似乎并没有维持到最后。到了中后段,情节开始显得有些力不从心,大量的心理描写开始占据主导,而推动故事发展的关键情节却被一再拖延,甚至被轻描淡写地带过。这种前后期的失衡,让我有种被“放鸽子”的感觉。就好像一场精心准备的百米冲刺,起跑时势如破竹,但在最后十米,选手却突然慢了下来,开始绕着终点线做一些无意义的拉伸动作。我期待着一个爆发点,一个能够将前面所有铺垫的情绪和悬念一并引爆的高潮,但最终等来的,却是一声微弱的叹息,而非震耳欲聋的雷鸣。
评分这本书,老实说,我拿到手的时候,对它的期待其实是挺高的。封面设计得很有格调,那种略带复古的字体和柔和的色调,一下子就抓住了我的眼球。我原本以为这会是一部探讨家庭关系中复杂情感纠葛的深度小说,或许会涉及一些童年阴影或者代际冲突之类的沉重主题。然而,读完之后,我发现它更像是一幅色彩斑斓却又略显模糊的印象派画作。叙事节奏时而舒缓得让人昏昏欲睡,时而又突然加速,抛出一些让人措手不及的事件,但这些事件之间的逻辑联系,感觉就像是雾里看花,需要读者自己去拼凑和脑补。我尤其对其中几个人物感到困惑,他们的动机似乎总是在不断地摇摆不定,让人难以真正投入情感。举个例子,那个总是徘徊在主要角色身边的“神秘邻居”,从头到尾都没有得到一个清晰的交代,更像是作者随手放置的一个装饰性的符号,而不是一个有血有肉的角色。这本书的文字功底无疑是扎实的,遣词造句之间透露着一股文人的气息,但这种过度雕琢的文字,有时候反而成了理解故事的障碍。我花了相当多的时间去琢磨那些看似充满哲理的对白,但最终得到的,可能只是自我感觉良好的空洞回响。这就像是吃一顿极其精致的西餐,摆盘无可挑剔,但吃到最后,却发现胃里空空如也,没有得到真正的满足感。
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