Mumford on Modern Art in the 1930s 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Mumford on Modern Art in the 1930s

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Lewis Mumford 作者
University of California Press
譯者
2008-12-02 出版日期
288 頁數
USD 18.95 價格
Paperback
叢書系列
9780520258082 圖書編碼

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Mumford on Modern Art in the 1930s 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Mumford on Modern Art in the 1930s 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Mumford on Modern Art in the 1930s 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Mumford on Modern Art in the 1930s 在線電子書 著者簡介


Mumford on Modern Art in the 1930s 在線電子書 著者簡介


Mumford on Modern Art in the 1930s 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Mumford on Modern Art in the 1930s 在線電子書 圖書描述

Although Lewis Mumford is widely acknowledged as the seminal American critic of architecture and urbanism in the twentieth century, he is less known for his art criticism. He began contributing to this field in the early 1920s, and his influence peaked between 1932 and 1937, when he was art critic for the New Yorker. This book, for the first time, assembles Mumford's important art criticism in a single volume. His columns bring wit and insight to bear on a range of artists, from establishment figures like Matisse and Brancusi to relatively new arrivals like Reginald Marsh and Georgia O'Keeffe.These articles provide an unusual window onto the New York art scene just as it was casting off provincialism in favor of a more international outlook. On a deeper level, the columns probe beneath the surface of modern art, revealing an alienation that Mumford believed symptomatic of a larger cultural disintegration. Many of the themes Mumford addresses overlap with those of his more familiar architectural criticism: the guiding role of the past in stimulating creativity in the present, the increasing congestion of the modern metropolis, the alarming lack of human control over modern technology, and the pressing need to restore organic balance to everyday living. Though he was open to new movements emanating from Europe, Mumford became the chief advocate of a progressive American modernism that was both socially aware and formally inventive.

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