In the late 1980s, Vietnam joined the global economy after decades of war and relative isolation, demonstrating how a former socialist government can adapt to global market forces with their neoliberal emphasis on freedom of choice for entrepreneurs and consumers. "The Ironies of Freedom" examines an aspect of this new market: commercial sex. Nguyen-vo offers an ambitious analysis of gender and class conflicts surrounding commercial sex as a site of market freedom, governmental intervention, and depictions in popular culture to argue that these practices reveal the paradoxical nature of neo-liberalism. What the case of Vietnam highlights is that governing with current neoliberal globalization may and does take paradoxical forms, sustained not by some vestige from times past but by contemporary conditions.Of mutual benefit to both the neoliberal global economy and the ruling party in Vietnam is the use of empirical knowledge and entrepreneurial and consumer's choice differentially among segments of the population to produce different kinds of labourers and consumers for the global market. But also of mutual benefit to both are the police, the prison, and notions of cultural authenticity enabled by a ruling party with well-developed means of coercion from its history.The freedom-unfreedom pair in governance creates a tension in modes of representation conducive to a new genre of sensational social realism in literature and popular films like the 2003 "Bar Girls" about two women in the sex trade, replete with nudity, booze, drugs, violence, and death. The movie opened in Vietnam with unprecedented box office receipts, blazing a trail for a commercially viable domestic film industry.Combining methods and theories from the social sciences and humanities, Nguyen-vo's analysis relies on fieldwork conducted in Ho Chi Minh City and its vicinity, in-depth interviews with informants, participant observation at selected sites of sexual commerce and governmental intervention, journalistic accounts, and literature and films. In the late 1980s, Vietnam joined the global economy after decades of war and relative isolation, demonstrating how a former socialist government can adapt to global market forces with their neoliberal emphasis on freedom of choice for entrepreneurs and consumers."The Ironies of Freedom" examines an aspect of this new market: commercial sex. Nguyen-vo offers an ambitious analysis of gender and class conflicts surrounding commercial sex as a site of market freedom, governmental intervention, and depictions in popular culture to argue that these practices reveal the paradoxical nature of neo-liberalism. What the case of Vietnam highlights is that governing with current neoliberal globalization may and does take paradoxical forms, sustained not by some vestige from times past but by contemporary conditions.Of mutual benefit to both the neoliberal global economy and the ruling party in Vietnam is the use of empirical knowledge and entrepreneurial and consumer's choice differentially among segments of the population to produce different kinds of labourers and consumers for the global market. But also of mutual benefit to both are the police, the prison, and notions of cultural authenticity enabled by a ruling party with well-developed means of coercion from its history.The freedom-unfreedom pair in governance creates a tension in modes of representation conducive to a new genre of sensational social realism in literature and popular films like the 2003 "Bar Girls" about two women in the sex trade, replete with nudity, booze, drugs, violence, and death. The movie opened in Vietnam with unprecedented box office receipts, blazing a trail for a commercially viable domestic film industry.Combining methods and theories from the social sciences and humanities, Nguyen-vo's analysis relies on fieldwork conducted in Ho Chi Minh City and its vicinity, in-depth interviews with informants, participant observation at selected sites of sexual commerce and governmental intervention, journalistic accounts, and literature and films. This book will appeal to historians and political scientists of Southeast Asia and to scholars of gender and sexuality, cultural studies, postcolonial studies, and political theory dealing with neoliberalism. Thu-huong Nguyen-vo is assistant professor of Asian languages and cultures and Asian American studies at the University of California, Los Angeles.
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初翻开这本厚重的著作,我原本期待的是某种宏大叙事的铺陈,结果却被其精妙的微观分析所捕获。作者似乎拥有将宏大命题拆解至原子级别的能力,每一个案例的选取都显得别具匠心,充满了历史的偶然性和必然性的交织感。它不仅仅是在讨论抽象的理念,更是在讲述活生生的人们如何在既定的框架内挣扎、妥协,乃至创造意义。我特别留意了其中关于“选择的负担”那一章,作者描绘的那种因过度自由带来的焦虑与瘫痪,与我们这个时代“选择饱和”的症状高度契合。语言风格上,它时而冷静客观得如同科学论文,时而又带着一丝悲悯的诗意,这种节奏的切换让阅读过程充满了动态感。它迫使我反思,我们所珍视的那些“权利”,究竟是在多大程度上塑造了我们的“自我”边界。这本书需要反复咀嚼,初读只能领略其表面的锋芒,深入阅读后,才能体会到它结构深处的精妙布局。
评分这部作品的阅读体验是极其个人化的,它更像是一面镜子,映照出读者自身思维的盲点和情感的脆弱处。它的结构松散却又内在严密,像一个充满细节的巴洛克式建筑,乍看之下有些眼花缭乱,但当你开始追踪那些装饰性的线条时,会发现它们最终都汇聚到某个坚实的中心支柱上。书中对“主体性”的消解过程,进行得极其温柔而又不留情面。我尤其欣赏作者对语言本身局限性的反思,那种意识到“所有描述都可能是误导”的清醒,让整本书笼罩着一种知识分子的谦卑与自觉。它没有提供任何容易被引用的金句,因为它所有的价值都蕴含在论证的完整性和复杂性之中。这是一本会改变你谈论世界方式的书,因为它首先改变了你理解世界运作逻辑的方式。绝对是需要被认真对待的严肃读物。
评分这本书简直是一场思想的马拉松,作者以一种近乎挑衅的笔触,解构了我们习以为常的“自由”概念。阅读过程中,我不断地被拉扯,时而深感振奋,时而又陷入一种深刻的自我怀疑。它没有提供任何简单的答案,反而像一把锋利的手术刀,精准地剖开了社会结构中那些隐藏的矛盾和悖论。我尤其欣赏作者对历史语境的把握,那种将古典哲学思辨与当代政治现实无缝衔接的功力,令人叹为观止。书中对个体能动性和结构性限制之间永恒张力的探讨,尤其触动了我。读完后,我发现自己看待新闻报道、参与公共讨论的方式都变得更加审慎和复杂化了。这本书不适合那些寻求心灵慰藉的读者,它更像是一剂苦口良药,强迫你直面那些不愿承认的真相。书中的论证逻辑链条环环相扣,即便是在最晦涩的章节,也能感受到那种清晰而坚定的推进力。它不是一本轻松的书,但绝对是值得投入心力去消化的文本,它带来的思考的余烬,会在你心中燃烧很久。
评分坦率地说,这本书初读时给我造成了不小的认知冲击,它并非那种让人读完立刻感到“我明白了”的书,而更像是一场对既有认知的系统性“格式化”。作者的叙事线索非常独特,它不走寻常路地从边缘领域切入核心议题,通过对看似不相关事件的并置,构建起一个复杂而令人信服的论证迷宫。我个人非常喜欢作者对“界限”的讨论,无论是物理的、心理的还是概念上的界限,书中都展示了它们是如何被建构、被侵蚀,以及最终如何反过来定义了我们自身的处境。这本书的批判力度是毋庸置疑的,但它并非纯粹的破坏者,更像是一个技艺高超的建筑师,在拆除危楼的同时,指出了新的地基可能存在的方向——尽管那个方向本身也充满了不确定性。阅读这本书与其说是获取知识,不如说是一次思维上的“野外生存训练”。
评分这是一本需要放在床头,每晚读上几页,然后辗转反侧的“失眠制造机”。它对权力运作机制的刻画,细致入微,让人不寒而栗。作者似乎对人类的集体无意识有着深刻的洞察,笔锋所指,直击那些我们习惯用舒适的幻觉来掩盖的社会伤疤。与市面上许多鼓吹激进变革的书籍不同,这本书的基调是审慎甚至略带悲观的,它似乎在暗示,某些深层结构的惯性是极其强大的,即便是最彻底的解放尝试,也可能在无意中复制出新的枷锁。我特别欣赏它在论述中对“反讽”的娴熟运用,那种“想逃离的往往是逃离本身”的循环论证,充满了文学性和思想的深度。它的文字密度极高,每一句话似乎都承载了多重含义,读起来需要极高的专注度,但回报是丰厚的——你将获得一套全新的、更具穿透力的观察世界的工具。
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