Prairie Style is about the breakdown of location and voice. It lays out a landscape of habitations (Frank Lloyd Wright's designs for "servantless families," fox dens in an embankment, the two-mile long face of Chicago s Robert Taylor public housing project, etc.) and crosses and recrosses the line between poetry and prose. The book is an acknowledgment of the terrible frankness of color, pleasure s distance, and the similarity of equivocation and argument. Prairie Style is the turn inland. Inland, one needs something more racial, say bigger, than mountains.
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