Selling Sounds

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David Suisman is Associate Professor of History at the University of Delaware.

出版者:Harvard University Press
作者:David Suisman
出品人:
頁數:368
译者:
出版時間:2009-5-31
價格:USD 32.50
裝幀:Hardcover
isbn號碼:9780674033375
叢書系列:
圖書標籤:
  • 音樂 
  • 藝術與音樂 
  • 美國 
  • 商業 
  • 曆史 
  • musicology 
  • SHL 
  • 商業與金融 
  •  
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From Tin Pan Alley to grand opera, player-pianos to phonograph records, David Suisman's "Selling Sounds" explores the rise of music as big business and the creation of a radically new musical culture. Around the turn of the twentieth century, music entrepreneurs laid the foundation for today's vast industry, with new products, technologies, and commercial strategies to incorporate music into the daily rhythm of modern life. Popular songs filled the air with a new kind of musical pleasure, phonographs brought opera into the parlor, and celebrity performers like Enrico Caruso captivated the imagination of consumers from coast to coast. "Selling Sounds" uncovers the origins of the culture industry in music and chronicles how music ignited an auditory explosion that penetrated all aspects of society. It maps the growth of the music business across the social landscape - in homes, theaters, department stores, schools - and analyzes the effect of this development on everything from copyright law to the sensory environment. While music came to resemble other consumer goods, its distinct properties as sound ensured that its commercial growth and social impact would remain unique. Today, the music that surrounds us - from iPods to ring tones to Muzak - accompanies us everywhere from airports to grocery stores. The roots of this modern culture lie in the business of popular song, player-pianos, and phonographs of a century ago. Provocative, original, and lucidly written, "Selling Sounds" reveals the commercial architecture of America's musical life.

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本书介绍了现代流行乐的前世今生,从流行乐产生的时代背景,科技技术,社会影响等方面进行了阐述。 时代及商业背景。随着工业时代进程,工业生产也进入了音乐领域,把原来和的严肃音乐商业化,从而被更多普通人接受。同时叮砰巷也形成了一套商业套路,来快速的制造流行乐这一商...  

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商业与艺术联姻,喜忧参半。这不难理解:艺术家也要生活,商业的保障是艺术的助推,尽管时有对市场的迎合。大卫·伊斯曼在《贩卖音乐:美国音乐的商业进化》一书中回顾了十九世纪以降,商业参与的音乐史,直言:“在音乐产业的行话里,'创作'的意思并非是写歌,而是使歌曲走红...  

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商业与艺术联姻,喜忧参半。这不难理解:艺术家也要生活,商业的保障是艺术的助推,尽管时有对市场的迎合。大卫·伊斯曼在《贩卖音乐:美国音乐的商业进化》一书中回顾了十九世纪以降,商业参与的音乐史,直言:“在音乐产业的行话里,'创作'的意思并非是写歌,而是使歌曲走红...  

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