Known for his rich and complex collage works that depict universal themes via African-American subjects, Romare Bearden (1911-1988) drew inspiration from myriad cultural influences--from historical and Modern art to music and literature. According to "The New York Times"' Michael Kimmelman, His genius, aside from his poetic knack for piecing scraps of photographs and other tiny tidbits together, was to see collage as an inherent social metaphor: that its essence was to turn nothings into something, making disparate elements cohere; that it was about mixing and adding, a positivist enterprise." Based on the 2007 National Bearden Symposium, this volume examines Bearden's relationships to Modernism, Postmodernism and the avant-garde, through his wide-ranging interests and associations with artists, intellectuals and musicians of his era--including Duke Ellington, Ralph Ellison and Stuart Davis, to name a few--as well as his practices."
具體描述
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有