The Art of Political Fiction in Hamilton, Edgeworth, and Owenson 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


The Art of Political Fiction in Hamilton, Edgeworth, and Owenson

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Egenolf, Susan 作者
译者
2009-4 出版日期
226 页数
$ 157.07 价格
丛书系列
9780754662037 图书编码

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发表于2024-11-28


The Art of Political Fiction in Hamilton, Edgeworth, and Owenson 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Art of Political Fiction in Hamilton, Edgeworth, and Owenson 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Art of Political Fiction in Hamilton, Edgeworth, and Owenson 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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Even as Romantic-period authors asserted the importance of telling the unvarnished truth, novelists were deploying narrative glossing in particularly sophisticated forms. Susan Egenolf examines the artistic craft and political engagement of three major women novelists - Elizabeth Hamilton, Maria Edgeworth, and Sydney Owenson - whose self-conscious use of glosses facilitated their critiques of politics and society. All three writers employed devices such as prefaces and editorial notes, as well as alternative media, especially painting and drama, to comment on the narrative. The effect of these disparate media, Egenolf argues, is to call the reader's attention away from the narrative itself. That is, such glossing or 'varnishing' creates narrative ruptures that offer the reader a glimpse of the process of fictional structuring and often reveal the novel's indebtedness to a particular historical moment.In spite, or perhaps because, of their being gendered feminine in eighteenth-century rhetorical commentary, therefore, these glosses allow women writers to participate in 'masculine' discussions outside the conventional domestic sphere. Informed by a wide range of archival texts and examples from the visual arts, and highlighting the 1798 Irish Rebellion as a major event in Irish and British Romantic writing, Egenolf's study offers a new interdisciplinary reading of gendered and political responses to key events in the history of Romanticism.

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