Private jealousies and public fears, old alliances and new ideologies, panic legislation and political correctness all combine in this thrilling adaptation of Anatole France's 1912 novel Les Dieux ont Soif. The poet Glyn Maxwell (whose Lifeblood was voted best play by the British Theatre Guide in 2005) brings a colloquial verse of great fluidity and immediacy to a story that is both fresh and relevant.
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