"Chicago Poems" is an early collection of poems by American poet Carl Sandburg. This little volume includes the following poems: Chicago, Sketch, Masses, Lost, The Harbor, They Will Say, Mill-Doors, Halsted Street Car, Clark Street Bridge, Passers-by, The Walking Man of Rodin, Subway, The Shovel Man, A Teamster's Farewell, Fish Crier, Picnic Boat, Happiness, Muckers, Blacklisted, Graceland, Child of the Romans, The Right to Grief, Mag, Onion Days, Population Drifts, Cripple, A Fence, Anna Imroth, Working Girls, Mamie, Personality, Cumulatives, To Certain Journeymen, Chamfort, Limited., The Has-Been, In a Back Alley, A Coin, Dynamiter, Ice Handler, Jack, Fellow Citizens, Nigger, Two Neighbors, Style, To Beachey-1912, Under a Hat Rim, In a Breath, Bath, Bronzes, Dunes, On the Way, Ready to Kill, To a Contemporary Bunkshooter, Skyscraper, Fog, Pool, Jan Kubelik, Choose, Crimson, Whitelight, Flux, Kin, White Shoulders, Losses, Troths, Killers, Among the Red Guns, Iron, Murmurings in a Field Hospital, Statistics, Fight, Buttons, And They Obey, Jaws, Salvage, Wars, The Road and the End, Choices, Graves, Aztec Mask, Momus, The Answer, To a Dead Man, Under, A Sphinx, Who Am I?, Our Prayer of Thanks, At a Window, Under the Harvest Moon, The Great Hunt, Monotone, Joy, Shirt, Aztec, Two, Back Yard, On the Breakwater, Mask, Pearl Fog, I Sang, Follies, June, Nocturne in a Deserted Brickyard, Hydrangeas, Theme in Yellow, Between Two Hills, Last Answers, Window, Young Sea, Bones, Pals, Child, Poppies, Child Moon, Margaret, Poems Done on a Late Night Car, It Is Much, Trafficker, Harrison Street Court, Soiled Dove, Jungheimer's, Gone, Dreams in the Dusk, Docks, All Day Long, Waiting, From the Shore, Uplands in May, A Dream Girl, The Plowboy, Broadway, Old Woman, The Noon Hour, 'Boes, Under a Telephone Pole, I Am the People, the Mob, Government, Languages, Letters to Dead Imagists, Sheep, The Red Son, The Mist, The Junk Man, Silver Nails, and Gypsy.
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曆史記住瞭那麼多手握權力的殺戮者,卻總是遺忘默默無聞的人:街頭上的人們,餐廳後廚的人們,罷工的人們,失去孩子的人們,死於事故的人們,迷失於都市的人們。記錄無名者,書寫主流之外的真實,這是時代與文學的作用力與反作用力。
评分曆史記住瞭那麼多手握權力的殺戮者,卻總是遺忘默默無聞的人:街頭上的人們,餐廳後廚的人們,罷工的人們,失去孩子的人們,死於事故的人們,迷失於都市的人們。記錄無名者,書寫主流之外的真實,這是時代與文學的作用力與反作用力。
评分曆史記住瞭那麼多手握權力的殺戮者,卻總是遺忘默默無聞的人:街頭上的人們,餐廳後廚的人們,罷工的人們,失去孩子的人們,死於事故的人們,迷失於都市的人們。記錄無名者,書寫主流之外的真實,這是時代與文學的作用力與反作用力。
评分曆史記住瞭那麼多手握權力的殺戮者,卻總是遺忘默默無聞的人:街頭上的人們,餐廳後廚的人們,罷工的人們,失去孩子的人們,死於事故的人們,迷失於都市的人們。記錄無名者,書寫主流之外的真實,這是時代與文學的作用力與反作用力。
评分曆史記住瞭那麼多手握權力的殺戮者,卻總是遺忘默默無聞的人:街頭上的人們,餐廳後廚的人們,罷工的人們,失去孩子的人們,死於事故的人們,迷失於都市的人們。記錄無名者,書寫主流之外的真實,這是時代與文學的作用力與反作用力。
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