The most popular introductory anthology of its kind, Kennedy/Gioia's "Literature" continues to inspire people with engaging insights on reading and writing about stories, poems, and plays. "Literature, Interactive Edition," "11/e" comes automatically with MyLiteratureLab, Longman's multimedia website. MyLiteratureLab icons are found in the margins of the text along with a list of media assets at the front of the anthology. Poets in their own right, editors X. J. Kennedy and Dana Gioia bring personal warmth and a human perspective to this comprehensive anthology. "Literature, " "Interactive Edition," "11/e," presents readable discussions of the literary devices, illustrated by engaging works, supported by useful writing tips, and followed by seven chapters devoted to writing that have been thoroughly updated to reflect MLA's latest guidelines. Conversations between Dana Gioia and celebrated fiction writer Amy Tan, current U. S. Poet Laureate Kay Ryan, and contemporary playwright David Ives, offer readers an insider's look into the importance of reading to three contemporary writers. A Latin American Writers casebook is new to Fiction and collects some of the finest authors from the region including Octavia Paz, Gabriel Garcia Marquez, and Ines Arendondo. A casebook on Nathaniel Hawthorne's "Young Goodman Brown" is now featured as part of the Three Stories In-depth chapter. Many new writers have been added including Naguib Mahfouz, Virginia Woolf, Sherman Alexie, Mary Oliver, Bettie Sellers, and Anne Deavere Smith For anyone who enjoys literature presented with personal warmth and a human perspective.
X. J. Kennedy , after graduation from Seton Hall and Columbia, became a journalist second class in the Navy (“Actually, I was pretty eighth class”). His poems, some published in the New Yorker, were first collected in Nude Descending a Staircase (1961). Since then he has written six more collections, several widely adopted literature and writing textbooks, and seventeen books for children, including two novels. He has taught at Michigan, North Carolina (Greensboro), California (Irvine), Wellesley, Tufts, and Leeds. Cited in Bartlett’s Familiar Quotations and reprinted in some 200 anthologies, his verse has brought him a Guggenheim fellowship, a Lamont Award, a Los Angeles Times Book Prize, an award from the American Academy and Institute of Arts and Letters, an Aiken-Taylor prize, the Robert Frost Medal of the Poetry Society of America, and the Award for Poetry for Children from the National Council of Teachers of English. He now lives in Lexington, Massachusetts, where he and his wife Dorothy have collaborated on four books and five children.
Dana Gioia is a poet, critic, and teacher. Born in Los Angeles of Italian and Mexican ancestry, he attended Stanford and Harvard before taking a detour into business. ("Not many poets have a Stanford M.B.A., thank goodness!") After years of writing and reading late in the evenings after work, he quit a vice presidency to write and teach. He has published three collections of poetry, Daily Horoscope (1986), The Gods of Winter (1991), and Interrogations at Noon (2001), which won the American Book Award; and three critical volumes, including Can Poetry Matter? (1992), an influential study of poetry's place in contemporary America. Gioia has taught at Johns Hopkins, Sarah Lawrence, Wesleyan (Connecticut), Mercer, and Colorado College.
He is also the co-founder of the summer poetry conference at West Chester University in Pennsylvania. From 2003-2009 he served as Chairman of the National Endowment for the Arts. At the NEA he created the largest literary programs in federal history, including Shakespeare in American Communities and Poetry Out Loud, the national high school poetry recitation contest. He also led the campaign to restore active and engaged literary reading by creating The Big Read, which has helped reverse a quarter century of decline in U.S. reading. He currently divides his time between Washington, D.C. and Santa Rosa, California, living with his wife Mary, their two sons, and two uncontrollable cats.
评分
评分
评分
评分
这本书,名为《Literature》,光是这个名字就带着一种沉甸甸的、古老的气息,仿佛蕴含着无数故事和思想的宝藏。我拿到它的时候,内心是充满期待的,想象着它会带领我穿越时空的洪流,去领略那些不朽的文字魅力。读的过程中,我时常会感到一种震撼,仿佛置身于作者所描绘的世界之中,与书中的人物一同呼吸、一同感受。那些精妙的比喻,那些细腻的情感描绘,都像是一把把钥匙,打开了我内心深处的某个角落,让我看到了自己从未触及过的风景。每一次翻页,都是一次新的探索,每一次阅读,都是一次心灵的洗礼。这本书让我对文学的理解有了更深层次的认识,它不仅仅是文字的堆砌,更是思想的碰撞,情感的共鸣,以及对人类存在意义的深刻思考。我喜欢它那种不经意间流露出的智慧,以及它所传递出的,关于生活、关于爱、关于失去的永恒主题。它像一位智者,低语着那些古老而又新鲜的道理,让我回味无穷,久久不能忘怀。我常常会在读完一章后,放下书,望着窗外,任由思绪在字里行间游荡,品味其中的意味。这是一种非常美妙的体验,也是我非常珍视的阅读时刻。
评分《Literature》这本书,在我的阅读经历中,算得上是一次“意料之外的惊喜”。我本以为它会是一部充满宏大叙事、或是探讨深刻哲学命题的作品,但事实证明,它更加侧重于一种“体验式”的阅读。作者的写作风格,可以说是极其“随性”的,仿佛是在记录自己脑海中闪过的片段,或是随手写下的日记。然而,正是这种看似漫不经心的笔触,却营造出了一种独特的、难以言喻的魅力。它没有明确的“主线”,也没有清晰的“目标”,但你在阅读的过程中,却能感受到一股强大的“吸引力”,让你想要继续读下去,去探寻下一个“不期而遇”的场景或感悟。这本书让我看到了文学创作的“另一面”,它并非总是需要精心策划,也并非总是需要宏大的架构。有时候,最动人的文字,恰恰来源于那些最真实、最朴素的瞬间。它让我意识到,文学的边界,是可以如此宽广,如此自由。它更像是一种“氛围的营造”,一种“情绪的传递”,而非简单的一个故事。
评分坦白说,初拿到《Literature》这本书时,我带着一种审慎的目光。如今的出版界充斥着各种快餐式的阅读材料,而“Literature”这个名字,总让我联想到那些需要静下心来,甚至需要反复咀嚼才能体会其深意的作品。然而,阅读的过程却远比我预想的要更加引人入胜。作者的笔触,初看似乎平淡无奇,但仔细品味,便会发现其中蕴含着惊人的力量。他构建的世界,既有宏大的叙事,又有极其细致入微的描写,仿佛将我置身于一个真实而又鲜活的场景之中。我沉醉于书中人物的命运起伏,为他们的喜怒哀乐而牵动心弦。那些看似不经意的对话,实则暗流涌动,充满了言外之意和深层含义。这本书让我意识到,真正的文学作品,是可以超越语言的界限,直抵人心最柔软的部分。它能够唤醒我们内心深处的共鸣,让我们重新审视自己与周围的世界。每一次阅读,都像是在与一个伟大灵魂进行对话,从中汲取智慧和力量。我尤其欣赏作者在处理复杂情感时的克制与深刻,没有过度的煽情,却能将人物内心的挣扎与成长描绘得淋漓尽致。
评分《Literature》这本书,对我而言,与其说是一本书,不如说是一场奇遇。它并非那种以情节取胜,让你一口气读到凌晨的作品。相反,它像是一位温婉的朋友,在你闲暇的午后,轻轻地敲开你的心门,与你促膝长谈。书中那些看似寻常的场景,在作者的笔下,却被赋予了独特的生命力。我惊叹于作者对细节的精准捕捉,那些微小的瞬间,往往承载着巨大的情感力量。例如,书中描绘的一个黄昏,夕阳的余晖透过窗户洒在地板上,形成斑驳的光影,而我的脑海中,仿佛也随之泛起了一层温暖而又略带忧伤的色彩。这种能力,是许多作品所欠缺的,它让我看到了生活本身的美丽与复杂。这本书让我重新认识了“日常”的意义,原来最平凡的生活,也可以蕴含着最深刻的哲理。我喜欢它所带来的,那种宁静致远的阅读体验,它不会强迫你思考,但它会悄悄地在你心中播下种子,待你日后慢慢发芽。它是一种潜移默化的影响,让你在不经意间,对世界有了新的看法。
评分读完《Literature》的当下,我脑海中并没有涌现出任何具体的故事情节或是人物名字,这是一种非常奇特的感受。它没有给我留下某个戏剧性的冲突,也没有塑造一个让人过目不忘的英雄形象。然而,它却在我内心深处留下了一片广阔的、挥之不去的“氛围”。这种氛围,是一种混杂着疏离与亲近,理性与感性的独特体验。作者的叙述方式,可以说是相当“不落俗套”了。它不遵循传统意义上的起承转合,而是像一股缓缓流淌的溪水,时而汇聚成小小的漩涡,激起一丝涟漪,时而又变得平缓,只留下细碎的泡影。这种叙事带来的,是一种“留白”的美学,它鼓励读者主动去填补那些空白,去构建属于自己的理解。我发现,我并没有被动地接受作者所给予的一切,而是积极地参与到这本书的创造过程中。这种互动性,让我觉得这本书不仅仅是一件艺术品,更像是我们共同完成的作品。它让我看到了文学的另一种可能性,一种更加自由、更加开放的表达方式。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有