Grand Theater 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Grand Theater

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Larry E. Holmes 作者
Lexington Books
譯者
2009-8-16 出版日期
282 頁數
USD 90.00 價格
Hardcover
叢書系列
9780739135914 圖書編碼

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Grand Theater 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Grand Theater 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Grand Theater 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Grand Theater 在線電子書 著者簡介


Grand Theater 在線電子書 著者簡介


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Grand Theater 在線電子書 圖書描述

Grand Theater examines bureaucracy not as a readily identifiable structure but rather as a process of day-to-day operation. Thus it is concerned with how agencies of both the communist party and the state apparatus not only implemented directives from above but also responded to perceived successes and failures, chose to produce, share, and conceal information, and reacted when common citizens injected themselves into governance by making demands and complaints. It concentrates on the 1930s as a seminal period when Stalin's regime established a hypercentralized system that dominated the Soviet Union until its collapse and the Russian Federation since then. It also focuses on the administration of schools as the primary window through which to examine governance because of the importance of education to Soviet authorities, most notably Stalin himself, and the accessibility of archival documents in this field, one not classified as particularly sensitive. Grand Theater provides novel insights into the functioning of Stalinist bureaucracy, brings to the forefront a new understanding of center-periphery relations, and reveals the important role of individuals in what has heretofore been largely regarded, when beyond the Kremlin's inner circle, as a highly impersonal system. It also examines in unprecedented ways the reciprocal relationship between ideology and policy formation, on the one hand, and actual administrative practices, on the other, a relationship that more often than not had negative and dysfunctional consequences for both the governed and governing. Holmes argues that the Soviet administrative system during the 1930s was much like grand theater. The documents produced for and by that system were the script for a discursive theatrical reality that inspired neither a careful appraisal of problems nor a dispassionate search for workable solutions.

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