The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music)

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Keefe, Simon P. (EDT) 作者
Cambridge University Press
譯者
2009-10-12 出版日期
816 頁數
USD 195.00 價格
Hardcover
The Cambridge History of Music 叢書系列
9780521663199 圖書編碼

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The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music) 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music) 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music) 在線電子書 著者簡介


The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music) 在線電子書 著者簡介


The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music) 在線電子書 圖書描述

The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.

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