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Italophilia. In focusing upon the use of italy to generate political meanings in period drama, this book argues that early modern intertextuality was a dynamic process of allusion, quotation and revision. The representation of Italian culture in the London theatre was never an isolated gesture.
评分Italophilia. In focusing upon the use of italy to generate political meanings in period drama, this book argues that early modern intertextuality was a dynamic process of allusion, quotation and revision. The representation of Italian culture in the London theatre was never an isolated gesture.
评分Italophilia. In focusing upon the use of italy to generate political meanings in period drama, this book argues that early modern intertextuality was a dynamic process of allusion, quotation and revision. The representation of Italian culture in the London theatre was never an isolated gesture.
评分Italophilia. In focusing upon the use of italy to generate political meanings in period drama, this book argues that early modern intertextuality was a dynamic process of allusion, quotation and revision. The representation of Italian culture in the London theatre was never an isolated gesture.
评分Italophilia. In focusing upon the use of italy to generate political meanings in period drama, this book argues that early modern intertextuality was a dynamic process of allusion, quotation and revision. The representation of Italian culture in the London theatre was never an isolated gesture.
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