Shows of London 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Shows of London

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Altick, Richard D. 作者
Harvard University Press
譯者
1978-1 出版日期
568 頁數
$ 180.24 價格
Hardcover
叢書系列
9780674807310 圖書編碼

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發表於2024-11-24

Shows of London 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Shows of London 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Shows of London 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Shows of London 在線電子書 用戶評價

評分

cultural interplay; visual entertainment; leisure comsumption; popular taste; the spectatorship

評分

cultural interplay; visual entertainment; leisure comsumption; popular taste; the spectatorship

評分

cultural interplay; visual entertainment; leisure comsumption; popular taste; the spectatorship

評分

cultural interplay; visual entertainment; leisure comsumption; popular taste; the spectatorship

評分

cultural interplay; visual entertainment; leisure comsumption; popular taste; the spectatorship

Shows of London 在線電子書 著者簡介

Richard D. Altick was Regents’ Professor of English at The Ohio State University. Among his numerous previously published works are The Scholar Adventurers, The English Common Reader, and Victorian People and Ideas.


Shows of London 在線電子書 著者簡介


Shows of London 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Shows of London 在線電子書 圖書描述

A berserk elephant gunned down in the heart of London, a machine for composing Latin hexameters, and the original rock band (1841)--these are but three of the sights that London curiosity-seekers from every walk of life paid to see from the Elizabethan era to the mid-Victorian period. Examining hundreds of the wonderfully varied exhibitions that culminated in the Crystal Palace of 1851, this generously illustrated book sheds light on a vast and colorful expanse of English social history that has thus far remained wholly unsurveyed. Drawing on a wealth of never-before-used information, Mr. Altick traces London exhibitions as they evolved from the display of relics in pre-Reformation churches, through the collections of eighteenth-century virtuosi, to the first science museums and public art galleries. He also narrates for the first time the history of the panorama and diorama as an influential genre of nineteenth-century popular art. At every point, the London shows are linked to the prevailing intellectual atmosphere and to trends in public taste. The material is fresh and fascinating; the range--from freaks to popular science, from the funeral effigies at Westminster Abbey to Madame Tussaud's waxworks--impressive. Like the exhibitions that best served the Victorian ideal of mass culture, "The Shows of London" is both entertaining and informative.

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