Bruce W. Robbins is Professor of English and Comparative Literature at Rutgers University.
A work of innovative literary and cultural history, "The Servant's Hand" examines the representation of servants in nineteenth-century British fiction. Wandering in the margins of these texts that are not about them, servants are visible only as anachronistic appendages to their masters and as functions of traditional narrative form. Yet their persistence, Robbins argues, signals more than the absence of the "ordinary people" they are taken to represent. Robbins's argument offers a new and distinctive approach to the literary analysis of class, while it also bodies forth a revisionist counterpolitics to the realist tradition from Homer to Virginia Woolf. Originally published in 1986 (Columbia University Press), "The Servant's Hand" is appearing for the first time in paperback.
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第一章完全順著Auerbach的Mimesis來寫,揭示西方文學傳統中描寫下層人的政治性,從史詩時代“民主/命運”的意義糾纏到工業社會階級差異視角,對應著Auerbach在Mimesis首尾兩章寫《奧德賽》和《到燈塔去》,特彆棒
评分第一章完全順著Auerbach的Mimesis來寫,揭示西方文學傳統中描寫下層人的政治性,從史詩時代“民主/命運”的意義糾纏到工業社會階級差異視角,對應著Auerbach在Mimesis首尾兩章寫《奧德賽》和《到燈塔去》,特彆棒
评分第一章完全順著Auerbach的Mimesis來寫,揭示西方文學傳統中描寫下層人的政治性,從史詩時代“民主/命運”的意義糾纏到工業社會階級差異視角,對應著Auerbach在Mimesis首尾兩章寫《奧德賽》和《到燈塔去》,特彆棒
评分第一章完全順著Auerbach的Mimesis來寫,揭示西方文學傳統中描寫下層人的政治性,從史詩時代“民主/命運”的意義糾纏到工業社會階級差異視角,對應著Auerbach在Mimesis首尾兩章寫《奧德賽》和《到燈塔去》,特彆棒
评分第一章完全順著Auerbach的Mimesis來寫,揭示西方文學傳統中描寫下層人的政治性,從史詩時代“民主/命運”的意義糾纏到工業社會階級差異視角,對應著Auerbach在Mimesis首尾兩章寫《奧德賽》和《到燈塔去》,特彆棒
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