具體描述
This book offers an explanation of why scale models are important to the design process. Albert Smith takes the reader through the history and significance of models in architecture from the magic of the Egyptian scale model to the present day.
Through this description of the relationship between architecture and the scale model, Smith demonstrates the most effective process between concept and 'machine', between the idea and the final building. The great value of this book is to reveal the nature of the scale model and to unlock the tremendous potential of this design tool as a thinking and communicative advice.
His chronological analysis goes on from Egypt through Rome to the relationship between the Greek paradigm scale model and then on to Medieval and Renaissance models. It concludes with the models of the Spanish architect Antonio Gaudi, the Russian Constructivists, the American architect Louis Khan and finally looks at the role of scale models in the present day through the work of the Polish/American architect Daniel Libeskind and the American Frank Gehry.
* First book to address the question of why and how architects use scale models for projects allowing designers to learn the most effective ways of communicating their ideas through the model medium
* A unique insight into the dynamic thought process of designers through history to the present day to inspire today's practitioners
作者簡介
目錄資訊
Rating: 4
Somewhat academic approach to the role of architectural models in Western civilization, from the ancient Greeks up to the end of the 20th Century.
I found this in the architectural library at a nearby university (my daughter had a junior high school class project on building a scale model of a Gothic cathedral, and I first thought this book might be a handbook on building scale models, but not so). Still, it looked to be an interesting read (for those used to reading works by academics, at least).
Most readers of this book will be students of architecture, but for this non-architect I found the exploration of what an architect was and how they were trained over the past 5000 years an interesting mirror of how Western culture has changed over the centuries. (I'm speaking here as a social scientist more used to reading history than works in the humanities).
The first and fourth chapters are well-done surveys, though the second chapter seemed light in analytical depth in places. The third chapter provides formal framing of his argument between the first and second halves of the book, too academic for many readers but mercifully brief.
The payoff to the too-academic structure of the book comes in the last (fifth) chapter, as the author attempts to deconstruct the work of a handful of architects from the 20th Century, focusing on the role of drawings versus physical models of specific projects in their body of work. I found the approach persuasive for all of the architects examined except for the last, Andrew Libeskind (spelling?), but at least some illumination came of it.
A read of a day and a half for a casual reader outside the field. I'd be interested to hear what specialists in the field would have to say about the book. For instance, is this book based on refereed articles in the field? And how does it related to other scholarly work in the field of architectural studies?
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讀後感
用戶評價
從書籍的整體結構來看，它似乎遵循瞭一種“由大到小，再由內而外”的迴鏇結構。開篇從宏觀的、曆史性的視角切入，探討瞭模型作為一種認知工具的起源，涉及建築學、人類學甚至早期科學儀器的對比。隨後，敘事急劇收縮，聚焦於單個節點——例如某個特定年份製作的特定比例模型上的一個微小節點或接縫處理——進行極為細緻的微觀分析，幾乎達到瞭縴維級彆的觀察。這種“微觀鑽探”往往占據瞭全書篇幅的三分之一以上。而當讀者似乎被睏在這些細節的泥沼中時，作者又會突然將鏡頭拉遠，迴到更廣闊的社會語境中，討論這些精細的模型如何影響瞭城市規劃的決策，或是如何被用於政治宣傳。這種由宏觀到微觀再迴歸宏觀的螺鏇上升，使得讀者在學習到具體技術細節的同時，從未喪失對這些技術背後的文化和曆史意義的把握。
评分這本書的裝幀設計，從我拿到它開始就給我一種強烈的“觸感”體驗。封麵采用瞭一種略帶粗糙感的啞光紙張，觸感上模擬瞭某種未精加工的混凝土或者石膏闆的質地，這立刻將讀者的思維拉嚮瞭物理實體和材料本身的層麵。封麵上那組極簡的、等寬的字體排版，沒有使用任何花哨的襯綫或裝飾，反而營造齣一種工業圖紙般的精確感和冷峻的理性。內頁的紙張選擇偏厚，略微泛黃，這使得大量黑白圖像在印刷時保留瞭足夠的灰階層次，不會顯得死闆。我特彆留意瞭書籍的裝訂工藝，它采用瞭平攤式的無綫膠裝，這讓我在閱讀過程中，即便是跨頁的大幅圖紙，也能保持畫麵的完整性，而不是像某些精裝書那樣，硬生生地在書脊處斷裂。這種對物質性的執著，似乎在預示著這本書不僅僅是一本關於“模型”的理論探討，它更是一件精心製作的、具有自身物質屬性的“物體”。翻閱的每一次動作，似乎都在提醒我，我們正在討論的介質——模型——本身就是一種物質存在，而不是純粹的數字摹寫。這種對物理體驗的關注，在我閱讀完第一部分關於早期建築模型製作技術的章節後，顯得尤為恰當。
评分書中對“模型失真性”的探討，我認為是本書中最具顛覆性的部分。傳統的觀點傾嚮於將模型視為對現實的忠實再現，或者至多是一種理想化的預期。然而，這本書深入挖掘瞭模型在製作過程中必然産生的“信息丟失”和“偏見放大”的環節。作者沒有將此視為缺陷，而是將其提升為一種主動的“編輯”或“過濾”機製。例如，書中對早期建築師在製作粘土或木製模型時，如何無意識地通過材料的內在限製來篩選掉那些在紙麵上看似可行、但在物質化過程中會失敗的結構概念進行瞭細緻的描繪。這種“物質的抵抗力”迫使設計師退迴並重塑他們的想法。這種視角顛覆瞭我長期以來對模型作為“可視化工具”的理解，它不再僅僅是工具，而是一個具有自身能動性的中介體，一個通過“拒絕”或“扭麯”來引導思維的夥伴。
评分本書在語言風格上的多變性達到瞭驚人的程度。在討論模型與權力的關係時，作者的筆調變得極其尖銳和哲學化，充滿瞭對現代性與標準化生産的反思，句子結構復雜，充滿瞭從德語哲學中藉用來的長定語和從句，讀起來需要反復咀嚼，仿佛在品味某種濃縮的、略帶苦澀的理論精華。然而，當轉入對特定項目圖紙的分析時，語言風格會瞬間切換成一種近乎臨床診斷般的精確和冷靜，數據、比例和幾何描述占據瞭主導，所有修飾性的詞匯都被無情地剔除，隻剩下純粹的描述性功能。最令人意外的是，在收錄的幾篇訪談錄中，作者又展現瞭極富人情味和口語化的敘述，充滿瞭對日常工作中的挫敗感和創造性瞬間的坦誠記錄。這種風格的快速切換，使得閱讀體驗充滿瞭張力，避免瞭單一學術腔調帶來的疲勞感，但也對讀者的認知適應能力提齣瞭較高的要求。
评分這本書的敘事節奏感非常獨特，它不像傳統的學術論著那樣綫性推進，而是更像在對一係列破碎但相互關聯的“案例碎片”進行手術刀式的解剖。作者在探討二十世紀中期某些先驅建築師如何利用模型進行“批判性模擬”時，並沒有采用標準的曆史梳理方法，而是頻繁地在不同年代、不同地理背景的案例之間進行跳躍。這種非綫性的敘事結構，初讀時可能會讓人感到有些迷失，因為缺乏明確的章節導覽來提供心理地圖。然而，一旦適應瞭這種“碎片化”的閱讀模式，你會發現它極大地增強瞭閱讀的智力挑戰性。每當我試圖將一個關於早期參數化設計模型的討論，與後麵關於戰後社會住房原型模型的研究聯係起來時，那種認知上的“摩擦”反而激發瞭更深層次的思考。它迫使讀者不能僅僅滿足於接受既有的知識框架，而是必須主動地在這些散落的“碎片”之間建立起屬於自己的、動態的連接網絡。這種處理方式，使得本書更像是一部建築思想的“濛太奇”，而非編年史。
评分少有的說模型的書，就衝這也給5星。
评分少有的說模型的書，就衝這也給5星。
评分少有的說模型的書，就衝這也給5星。
评分少有的說模型的書，就衝這也給5星。
评分少有的說模型的書，就衝這也給5星。
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