Through close readings of contemporary made-in-Singapore films (by Jack Neo, Eric Khoo, and Royston Tan) and television programs (Singapore Idol, sitcoms, and dramas), this book explores the possibilities and limitations of resistance within an advanced capitalist-industrial society whose authoritarian government skillfully negotiates the risks and opportunities of balancing its on-going nation-building project and its "global city" aspirations. This book adopts a framework inspired by Antonio Gramsci that identifies ideological struggles in art and popular culture, but maintains the importance of Herbert Marcuse's one-dimensional society analysis as theoretical limits to recognize the power of authoritarian capitalism to subsume works of art and popular culture even as they attempt consciously-even at times successfully-to negate and oppose dominant hegemonic formations.
评分
评分
评分
评分
导演研究材料。以马尔库塞的“单向度”为理论核心,读解新加坡导演的电影创作。语境性的材料可直接引用,导演访谈也较为珍贵,内容扎实。
评分导演研究材料。以马尔库塞的“单向度”为理论核心,读解新加坡导演的电影创作。语境性的材料可直接引用,导演访谈也较为珍贵,内容扎实。
评分导演研究材料。以马尔库塞的“单向度”为理论核心,读解新加坡导演的电影创作。语境性的材料可直接引用,导演访谈也较为珍贵,内容扎实。
评分导演研究材料。以马尔库塞的“单向度”为理论核心,读解新加坡导演的电影创作。语境性的材料可直接引用,导演访谈也较为珍贵,内容扎实。
评分导演研究材料。以马尔库塞的“单向度”为理论核心,读解新加坡导演的电影创作。语境性的材料可直接引用,导演访谈也较为珍贵,内容扎实。
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有