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Schenker's Interpretive Practice (Cambridge Studies in Music Theory and Analysis) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Schenker's Interpretive Practice (Cambridge Studies in Music Theory and Analysis)
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Robert Snarrenberg 作者
Cambridge University Press
譯者
2005-07-07 出版日期
200 頁數
USD 37.99 價格
Paperback
叢書系列
9780521017435 圖書編碼

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Schenker's Interpretive Practice (Cambridge Studies in Music Theory and Analysis) 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Schenker's Interpretive Practice (Cambridge Studies in Music Theory and Analysis) 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Schenker's Interpretive Practice (Cambridge Studies in Music Theory and Analysis) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


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Schenker's Interpretive Practice (Cambridge Studies in Music Theory and Analysis) 在線電子書 著者簡介

Schenker's Interpretive Practice (Cambridge Studies in Music Theory and Analysis) 在線電子書 著者簡介

Schenker's Interpretive Practice (Cambridge Studies in Music Theory and Analysis) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Schenker's Interpretive Practice (Cambridge Studies in Music Theory and Analysis) 在線電子書 圖書描述

Schenker's Interpretive Practice is the first comprehensive study of this century's most influential music theorist, Heinrich Schenker. Since the 1960s, American theorists and musicologists have focused almost exclusively on analytical methods distilled from Schenker's writings. Breaking from that tradition, Robert Snarrenberg returns to Schenker's texts and to the humanist roots of his approach, situating Schenker's work in the broader context of his desire to portray the richness and particularity of musical experience. Snarrenberg concentrates on four aims that Schenker hoped to achieve: to present a theoretical account of musical effects encountered in European music of the eighteenth and nineteenth centuries, to represent the mindset shared among composers of that music, to convey the expressive interaction of musical effects in individual artwork, and to promote continued creative and re-creative participation in the musical tradition. Author recipient of the 1998 Young Scholar Award from the Society of Music Theory.

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