具体描述
More Stately Mansions represents the first printing of the complete and unexpurgated version of Eugene O'Neill's play, prepared from the original typescript housed at the Beinecke Rare Book and Manuscript Library at Yale University. The sixth in a line of eleven plays O'Neill planned but never finished, the play was part of a cycle he called A Tale Possessors Self-Dispossessed. The cycle would have spanned several generations and traced the Harford family's pursuit of material gain from 1755-1932. O'Neill completed and published only one other cycle play, A Touch of the Poet. Arguing that the 1964 edition of More Stately Mansions, prepared after the playwright's death, was missing a substantial amount of material that O'Neill intended for inclusion, Martha Bower presents an entirely new edition of the play with this material - dialogue, character description, an entire scene, the epilogue, and large parts of other scenes - restored. Written in 1939, and set in the 1830s and 1840s, the play is still of contemporary importance in its frank exposure of the devious intrigues of an American family's exploitation of a business opportunity. O'Neill's enlightened vision fostered the creation of two strong, intelligent women characters and the candid portrayal of a family dominated by love, hate, and jealousy. Reflecting the playwright's own unresolved family and sexual tensions, Bower holds that More Stately Mansions is, in fact, more true to the reality of his own essential pain than the so-called autobiographical plays. This restored and complete edition of More Stately Mansions will stand as an important contribution to O'Neill scholarship.
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用户评价
坦率地说，这部作品的节奏感对我而言是一场甜蜜的折磨。它绝非那种追求快速情节推进的爽文模式。作者似乎对“等待”和“酝酿”有着近乎偏执的钟爱。有时，一个微不足道的事件会被拉伸至几十页的篇幅，通过不断的内心反刍和视角切换，将其重要性无限放大。起初，这种缓慢让我有些不耐烦，感觉像是在看着一棵树缓慢生长，但渐渐地，我开始欣赏这种“慢镜头”的艺术。正是这种刻意的拖沓，构建了一种几乎无法逃脱的宿命氛围，让读者深刻体会到人物被困境裹挟的无力感。每一次重大的转折点到来时，由于前期铺垫的极其充分，其冲击力也比快节奏小说中那种突如其来的反转要深刻得多，它不是惊喜，而是必然的崩溃。这种对时间的驾驭能力，非常人所能及。
评分我对小说中对环境细节的描摹能力感到深深的震撼。作者笔下的场景，与其说是背景，不如说是与人物命运紧密纠缠的另一位主角。那种潮湿、腐朽却又带着某种贵族式颓废的美感，几乎可以穿透纸面，让我闻到空气中混合着霉味和陈旧香水的味道。尤其是在描述那栋宏伟却日益衰败的住所时，每一个雕花、每一处剥落的油漆，都仿佛是角色内心深处伤痕的外化。这种“物我合一”的手法，使得故事的压抑感和宿命感层层递进。我完全沉浸其中，仿佛被困在了那间华丽却透着寒意的房间里，感同身受角色的挣扎与绝望。相较于那些仅用几笔勾勒场景的作家，此君对物质世界的执着描摹，赋予了文本一种近乎实体化的重量感。这种细致入微的观察力，显然是建立在对生活深刻体验之上的，它超越了简单的装饰，成为推动叙事和揭示主题的关键工具。
评分从文学性角度来看，本书的对话艺术达到了一个令人咋舌的高度。这不是日常生活中那种粗糙、直白的交流，而是充满了潜台词和世代积怨的交锋。角色们说话时，往往话音未落，彼此心中已经完成了三轮辩论。那些看似礼貌或疏离的寒暄背后，隐藏着刀光剑影。我尤其留意了两位主要女性角色之间的互动，她们的每一次交谈，都像是在进行一场没有硝烟的心理战，信息量之大，需要读者具备极强的语境分析能力。有些句子，单独拆开来看平淡无奇，但置于特定的场景和人物关系中，其毒性和精准度令人不寒而栗。这种对话的层次感，使得阅读过程充满了紧张的期待感——你永远不知道下一句看似无害的问话，会在何时引爆人物之间积蓄已久的矛盾。这本书让我重新审视了文学中“说”与“不说”的力量对比。
评分这部小说的核心主题——关于继承、责任与身份迷失的探讨——显得格外沉重且经久不衰。它没有提供简单的道德评判或解决方案，而是将读者直接抛入一个充满悖论的灰色地带。书中反复出现“何为真正拥有”与“何为真正的自我”的哲学拷问。角色们在物质财富和精神枷锁之间挣扎，他们的每一次选择都显得沉重无比，因为你知道，无论选择哪条路，都意味着对自身某一部分的永久性牺牲。我欣赏作者处理这种复杂人性的方式，它既不浪漫化悲剧，也不过度批判，只是冷静地呈现了人如何在历史的洪流和家庭的重压下逐渐扭曲变形。阅读结束时，我感到一种深刻的共鸣，仿佛作者揭示了人类精神结构中最脆弱也最坚韧的那一部分。这是一部引发长久沉思的作品，它迫使你审视自己生命中那些看似理所当然的“继承物”。
评分这部作品的叙事结构如同迷宫般精妙，作者似乎故意设置了层层叠叠的障碍，引导读者在文字的幽暗小径中摸索前进。我不得不承认，初读时，我感到一种近乎迷失的挫败感。那些繁复的句子，如同古老宅邸中盘绕的藤蔓，紧紧缠绕着核心的情感线索。人物的动机往往隐藏在冗长的内心独白和看似无关紧要的场景描绘之下，需要极大的耐心和细致入微的观察力才能窥见一斑。例如，关于家庭内部权力斗争的那几章，信息密度之高，让我不得不反复阅读，甚至在书页上做满了批注。每一次重读，都会带来新的理解层次，这本身是一种智力上的挑战，也是一种精神上的奖赏。我欣赏这种不迎合大众阅读习惯的文学勇气，它要求读者付出对等的努力，才能真正进入作者构建的精神世界。它不是那种可以轻松消遣的作品，更像是一部需要被“解码”的密码本，成功解开的部分，会带来无与伦比的满足感。总而言之，这是一场漫长而艰辛的智力跋涉，但终点处的风景值得这份付出。
评分O'Neil's eloquence couldn't sugarcoat the boring nature of the play. A house of total lunatics fighting over self-sureness camouflaged by the possession of a man, a house and a company that are valued nothing to them.
评分O'Neil's eloquence couldn't sugarcoat the boring nature of the play. A house of total lunatics fighting over self-sureness camouflaged by the possession of a man, a house and a company that are valued nothing to them.
评分O'Neil's eloquence couldn't sugarcoat the boring nature of the play. A house of total lunatics fighting over self-sureness camouflaged by the possession of a man, a house and a company that are valued nothing to them.
评分O'Neil's eloquence couldn't sugarcoat the boring nature of the play. A house of total lunatics fighting over self-sureness camouflaged by the possession of a man, a house and a company that are valued nothing to them.
评分O'Neil's eloquence couldn't sugarcoat the boring nature of the play. A house of total lunatics fighting over self-sureness camouflaged by the possession of a man, a house and a company that are valued nothing to them.
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