The Collected Stories of Deborah Eisenberg

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出版者:Picador
作者:Deborah Eisenberg
出品人:
页数:992
译者:
出版时间:2010-3-30
价格:USD 23.00
装帧:Paperback
isbn号码:9780312429898
丛书系列:
图书标签:
  • 文学
  • 美国
  • 小说
  • 短篇小说
  • 哲思
  • the
  • of
  • 短篇小说
  • 美国文学
  • 当代文学
  • 虚构文学
  • 女性作家
  • 小说集
  • Deborah Eisenberg
  • 文学
  • 故事
  • 现代主义
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One of America’s finest writers.” San Francisco Chronicle Concentrated bursts of perfection.” The Times (London) Shimmering stories that possess the power and charm to move us.” The New York Times Exhilarating.” Harper’s Magazine Outstanding.” Christian Science Monitor Eisenberg simply writes like no one else.” Elle Eisenberg’s stories possess all the steely beauty of a knife wrapped in velvet.” The Boston Globe Dazzling.” Time Out New York Magic.” Newsweek Comic, elegant and pitch perfect.” Vanity Fair One of the great fiction writers living in America today.” The Dallas Morning News There aren’t many contemporary novels as shudderingly intimate and mordantly funny as Eisenberg’s best stories.” The New York Times Book Review Since 1986 with the publication of her first story collection, Deborah Eisenberg has devoted herself to writing exquisitely distilled stories” which present an unusually distinctive portrait of contemporary American life” to quote the MacArthur Foundation. This one volume brings together Transactions in a Foreign Currency (1986), Under the 82nd Airborne (1992), All Around Atlantis (1997) and her most recent collection-Twilight of the Superheroes (2006). Deborah Eisenberg is the author of four collections of stories. She is the recipient of a MacArthur Genius Grant, a Whiting Writers’ Award, and a Guggenheim Fellowship. She has taught at the University of Virginia since 1994, where she is currently a professor of creative writing. Since 1986, with the publication of her first story collection, Deborah Eisenberg has devoted herself to writing exquisitely distilled stories” which present an unusually distinctive portrait of contemporary American life” to quote the MacArthur Foundation. This one volume brings together T ransactions in a Foreign Currency , Under the 82nd Airborne , All Around Atlantis and her most recent collection, Twilight of the Superheroes . "Deborah Eisenberg writes with a playwright's quick, bristling ear for dialogue and a painter's affection for nuance and image . . . Miss Eisenberg has found words to capture all the fleeting, ambivalent emotions of daily experience . . . and she's turned those elusive feelings into shimmering stories that possess the power to charm and to move us." Michiko Kakutani, The New York Times "Deborah Eisenberg writes with a playwright's quick, bristling ear for dialogue and a painter's affection for nuance and image . . . Miss Eisenberg has found words to capture all the fleeting, ambivalent emotions of daily experience . . . and she's turned those elusive feelings into shimmering stories that possess the power to charm and to move us." Michiko Kakutani, The New York Times

"This collection contains in their entirety the four books of stories Eisenberg has written over a 20-year span . . . The resulting book weighs in at just under a thousand pages: heavy lifting but not heavy reading. Although the stories explore different geographies and different lives, there is more consistency throughout than variety. Those who admire some portion of Eisenberg's writing will find the same pleasures in the whole: remarkable language, unconventional storytelling and her characters' well-rendered and profound unease at inhabiting an uneasy world . . . Eisenberg conveys their interiority in such a fine grain that one thinks of Virginia Woolf, if only Woolf's work were leavened with startling humor." Jean Thompson, The New York Times "Deborah Eisenberg, one of America's finest writers, offers new ways of seeing and feeling, as if something were being perfected at the core . . . Light-years ahead of most story writers." San Francisco Chronicle "Eisenberg is a master of condensation and reconstruction, making beautiful murals from broken glass." O, The Oprah Magazine "Readers who have enjoyed Eisenberg's four volumes of short stories or grown familiar with her work in The New Yorker over the past 20 years will be thrilled with this substantial collection, which demonstrates the full range of her talents. These satisfyingly lengthy stories also have the potential to engross readers who avoid the genre, having been left hanging one too many times with lazy, enigmatic endings. Eisenberg is equally at home with artsy Manhattan social comedy (see 'Flotsam,' from Transactions in a Foreign Currency and 'Some Other, Better Otto,' from Twilight of the Superheroes ), Jamesian narratives that characterize complex relationships in gracefully balanced long sentences (see 'A Cautionary Tale,' from Under the 82nd Airborne ), politically savvy stories that capture differences of race and class through the perspective of American transplants in countries like Honduras (see 'Broken Glass,' Transactions , and 'Someone To Talk To,' from All Around Atlantis ), and clear-eyed stories that nevertheless reveal the disjointed perceptions of characters with tragically damaged psyches (see 'Window,' Twilight ) . . . This impressive volume celebrates the prodigious talent of a writer who deserves to be better known." Sue Russell, Library Journal Praise for Deborah Eisenberg:

Shimmering stories that possess the power and charm to move us.” The New York Times

There aren’t many contemporary novels as shudderingly intimate and mordantly funny as Eisenberg’s best stories.” The New York Times Book Review

One of America’s finest writers.” San Francisco Chronicle

Eisenberg’s stories possess all the steely beauty of a knife wrapped in velvet.” The Boston Globe

Concentrated bursts of perfection.” The Times (London)

Comic, elegant and pitch perfect.” Vanity Fair

One of the great fiction writers living in America today.” The Dallas Morning News

TABLE OF CONTENTS TRANSACTIONS IN A FOREIGN CURRENCY Flotsam What It Was Like, Seeing Chris Rafe's Coat A Lesson in Traveling Light Days Transactions in a Foreign Currency Broken Glass UNDER THE 82ND AIRBORNE A Cautionary Tale Under the 82nd Airborne The Robbery Presents The Custodian Holy Week In the Station ALL AROUND ATLANTIS The Girl Who Left Her Sock on the Floor Across the Lake Someone to Talk To Tlaloc's Paradise Rosie Gets a Soul Mermaids All Around Atlantis TWILIGHT OF THE SUPERHEROES Twlight of the Superheroes Some Other, Better Otto Like It or Not Window Revenge of the Dinosaurs The Flaw in the Deisgn

《狄波拉·艾森伯格全集》 一段关于非凡故事的探索之旅 狄波拉·艾森伯格,当代美国文学中一颗璀璨的明星,以其敏锐的观察力、精湛的叙事技巧和对人类复杂情感的深刻洞察,在短篇小说领域独树一帜。她的故事,宛如精心雕琢的艺术品,触及我们内心最隐秘的角落,引发共鸣,令人久久回味。 《狄波拉·艾森伯格全集》 汇集了她不同时期的创作精华,呈现了一个由数十个精心构思、饱含深情的故事组成的宇宙。每一篇小说都是一次深入人心的旅程,带领读者漫步于平凡生活中那些常常被忽略的细节,发掘那些隐藏在日常琐碎之下的深刻意义。 艾森伯格的故事,没有惊心动魄的 plot twists,也没有宏大的叙事框架,取而代之的是对人物内心世界的细腻描摹。她的角色,往往是普通人,他们过着普通的生活,经历着普通的情感波动——喜悦、失落、困惑、渴望。然而,正是这些普通,在艾森伯格的笔下,被赋予了非凡的色彩。她擅长捕捉人物微妙的心理变化,展现他们在面对生活中的各种挑战、机遇和选择时,那种微妙而复杂的反应。 阅读艾森伯格的作品,你会发现自己仿佛置身于一个熟悉的场景,身边围绕着那些你可能在街角、在咖啡馆、在公园里擦肩而过的人。她的描写精准而生动,无论是人物的表情、肢体语言,还是他们说话的语气、使用的词汇,都充满了真实感。你能够感受到角色的呼吸,听到他们的心跳,甚至能够体味到他们内心深处的彷徨与坚定。 艾森伯格的故事,往往以一种看似漫不经心的姿态展开,但随着情节的推进,你会逐渐被吸引,被人物的命运牵动。她从不轻易给出结论,而是留给读者 ample space for interpretation and reflection. 她的叙事,常常充满留白,鼓励读者去填补那些未曾言说的情感,去理解那些欲言又止的含义。这种开放式的叙事,让每个故事都充满了生命力,能够在不同的读者心中激荡出不同的涟漪。 她的故事主题广泛,从人际关系的微妙变化,到家庭成员之间的疏离与亲近,再到个体在社会中的挣扎与寻找自我。她笔下的女性角色尤为令人印象深刻,她们不是被动的承受者,而是积极的思考者,她们拥有独立的思想和情感,她们在生活的洪流中努力寻找自己的位置。同时,她也深刻地刻画了男性角色,展现了他们的脆弱、迷茫以及不为人知的温柔。 艾森伯格的语言,简洁而富有张力,没有华丽的辞藻,却 mampu 触动人心。她对词语的选择,对句式的运用,都展现了其高超的文学造诣。她的文字,往往在不经意间,营造出一种独特的氛围,或静谧,或不安,或温暖,或疏离。这种氛围,随着故事的深入,会逐渐浸润你的心田,让你沉浸其中,难以自拔。 《狄波拉·艾森伯格全集》 是一部值得反复阅读的作品。每一次重读,都会有新的发现,新的感悟。它不仅仅是一本故事集,更是一面镜子,能够照见我们自己,照见我们内心深处的情感和体验。它提醒我们,即使在最平凡的生活中,也蕴藏着无尽的意义和可能性。 无论你是初次接触艾森伯格的作品,还是早已是她的忠实读者,《狄波拉·艾森伯格全集》 都将为你带来一次难忘的文学体验。准备好,踏入这个由文字构筑的奇妙世界,去感受那些直抵灵魂深处的故事吧。

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如果说文学作品有气味,这本书闻起来像是旧书店里灰尘与冷掉的咖啡混合的味道,带着一种知识分子的清冷和一丝不易察觉的讽刺意味。我喜欢作者处理时间的方式,它常常在不同人物的记忆和当下行动之间跳跃,让人感觉到生活的碎片化和非线性。例如,一个角色在回忆童年时的一件小事,这个回忆立刻影响了他处理当前与同事的一次眼神接触,整个过程非常自然流畅,却又暗示了过去对现在无形的控制。这些故事里充满了“等待”的主题——等待电话响起,等待一个迟到的朋友,等待一个迟到的领悟。这些等待不是悬疑的,而是虚无的,是现代生活里最耗费精力的部分。我曾试图去寻找一个贯穿全书的宏大主题,但很快意识到这是徒劳的,作者的意图显然是将焦点放在了“瞬间的质感”上,而不是“整体的结构”。这使得每一篇短篇小说都有其独立的重量,像是一块块被精心打磨的鹅卵石,表面光滑,握在手里却能感受到沉甸甸的分量。

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这本书的叙事节奏像是一部老电影的慢镜头,每一个场景都充满了令人不安的细节。我读到主人公在一家昏暗的咖啡馆里,看着窗外下着永无止境的雨,那种感觉不仅仅是湿冷,更是一种精神上的压抑。作者对日常生活中那些微不足道的尴尬和不适的捕捉能力简直是鬼斧神工。比如,她对一个角色在电梯里试图与一个陌生人进行无效对话的描写,那种空气凝固的尴尬感,让我仿佛能闻到电梯里陈旧的空气和一丝劣质香水味。这不是那种情节跌宕起伏的小说,更像是一系列精心编织的心理快照,每一个故事都像是一个被放大镜仔细观察的昆虫标本,虽然美丽,却带着一丝冰冷的疏离感。你很难找到一个让你拍案叫绝的转折,但你会发现自己一遍又一遍地回味那些精准到令人心悸的对话片段,思考人物沉默背后的巨大信息量。我个人最欣赏的是,她从不急于给出答案或道德评判,而是将那些灰色地带完全暴露在你面前,让你自己去感受那种模糊不清、难以名状的现代生活困境。读完后,我感觉自己像是刚从一场漫长而复杂的梦中醒来,虽然疲惫,但对现实的感知又清晰了不少。

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坦白说,初读时我差点合上了这本书,它的开场太过沉闷,充满了那种知识分子式的自我审视和略带矫揉造作的疏离感。但坚持读下去后,我发现自己被卷入了一种奇特的共鸣漩涡。那些人物,他们似乎永远都在试图定义自己的处境,却总是在关键时刻功亏一篑。我特别喜欢其中一篇关于一个作家的故事,他因为无法完成一部重要的作品而陷入焦虑,他与伴侣之间的交流充满了猜疑和未说出口的指责。作者运用了大量的内心独白和意识流的手法,笔触细腻得像是在描绘一幅用极细的铅笔画出的肖像画,每一个阴影、每一道皱纹都精确无比。这种写作风格要求读者有极大的耐心,它不像流行小说那样提供即时满足感,它更像是一场马拉松,考验你的耐力和对细微情感波动的捕捉力。对我来说,这本书的价值不在于它讲述了什么“大事件”,而在于它精准地复刻了“成为一个人”所伴随的永恒的、低烧般的焦虑和不确定性。它让我重新审视了自己与身边人的那些“未解决的问题”,那些堆积在角落里,我们假装看不见的日常裂痕。

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这本书给我的感觉更像是一系列精心策划的“社交灾难回放”。每一个故事的核心似乎都在探讨人与人之间沟通的失败——不是那种戏剧化的争吵,而是那种更普遍、更令人心寒的“擦肩而过”。我特别记得一个场景,几个人围坐在一个派对上,每个人都在努力扮演一个“有趣的人”,但他们说的每一句话都像是隔着一层厚厚的玻璃,内容被扭曲,意图被误读。作者对那种“想加入但又格格不入”的社会体验把握得炉火纯青。她的语言非常克制,几乎没有使用任何夸张的形容词,但正是这种冷静的叙述,反而让那些隐藏在平淡之下的荒谬感和痛苦愈发尖锐起来。读这本书时,我常常需要停下来,不是因为情节太复杂,而是因为某个角色的某个念头太像我自己的影子,让我感到一丝不适的“被看穿”感。这并非是一本读来让人感到放松的书籍,它更像是一种智力上的挑战,迫使你直面自己性格中的那些不那么光彩的部分。

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我很少在阅读当代小说时感到如此强烈的“非西方视角”的冲击,尽管背景设置非常北美化,但其精神内核却有一种对“目的性”的彻底解构。很多故事似乎都在质疑“为什么我们要做这件事?”——无论是追求事业成功、维持一段关系,还是仅仅为了完成一次普通的晚餐聚会。我特别欣赏作者如何利用环境描写来烘托人物的内心状态,比如在描写一次尴尬的家庭聚餐时,她会花费大量笔墨去描绘餐桌上那盏灯光如何不自然地投射在某人的脸上,那种光影的错位感,比任何直接的心理描写都要有力得多。这本书的语言风格是极简主义的,但情感密度却是极高的。它不卖弄技巧,而是通过对最寻常的场景进行精确的切割和重组,展现出生活深处的怪诞和美丽。我尤其推荐给那些厌倦了传统叙事套路,渴望在平静的文字下挖掘出人性复杂肌理的读者。这本书需要你投入,但它给予的回报,是一种更加深刻和清醒地看待日常的能力。

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