This landmark book offers a radical reinterpretation of the innovative art of the late 1950s and 1960s. Examining the work of major artists of the period - including Mark Rothko, Piero Manzoni, Agnes Martin, Dan Flavin, Eva Hesse, Blinky Palermo and Louise Bourgeois - Briony Fer focuses on the overriding tendency towards repetition and seriality that occurred at the moment of modernism's decline, gained ground in its aftermath and continues to shape much of the art seen today. Although seriality is mainly associated with American artists and with Minimalism, Fer broadens our understanding of it, looking at Minimalist seriality as only one crucially important strategy among several. She argues that repetition becomes generative of new modes and habits of making and looking; at stake is how we think about the artwork in relation to both temporality and subjectivity. Paying close attention to specific artworks, this timely critical reassessment offers a fresh perspective on a wide range of familiar and less familiar art.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有