Displaying the Orient 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Displaying the Orient

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Zeynep Çelik 作者
University of California Press
譯者
1992-7-10 出版日期
260 頁數
USD 50.00 價格
Hardcover
叢書系列
9780520074941 圖書編碼

Displaying the Orient 在線電子書 圖書標籤: 建築理論  曆史   


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Displaying the Orient 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Displaying the Orient 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Displaying the Orient 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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urbanism and modernity, spring 2015.

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urbanism and modernity, spring 2015.

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urbanism and modernity, spring 2015.

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urbanism and modernity, spring 2015.

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urbanism and modernity, spring 2015.

Displaying the Orient 在線電子書 著者簡介

Zeynep Çelik is Associate Professor of Architecture at the New Jersey Institute of Technology and the author of The Remaking of Istanbul (Washington, 1986).


Displaying the Orient 在線電子書 著者簡介


Displaying the Orient 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Displaying the Orient 在線電子書 圖書描述

Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places.

Çelik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers.

Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. Çelik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.

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