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Orientalism's Interlocutors

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Jill Beaulieu 作者
Duke University Press Books
譯者
2002-12-6 出版日期
244 頁數
USD 22.95 價格
Paperback
叢書系列
9780822328742 圖書編碼

Orientalism's Interlocutors 在線電子書 圖書標籤: 攝影  東方學  東方主義  藝術  繪畫  文化  建築  奧斯曼帝國   


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Orientalism's Interlocutors 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Orientalism's Interlocutors 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Orientalism's Interlocutors 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Orientalism's Interlocutors 在線電子書 著者簡介

Jill Beaulieu is an independent art historian and past President of the Art Association of Australia.

Mary Roberts is the John Schaeffer Lecturer in British Art at the University of Sydney.


Orientalism's Interlocutors 在線電子書 著者簡介


Orientalism's Interlocutors 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Orientalism's Interlocutors 在線電子書 圖書描述

Until now, Orientalist art - exemplified by paintings of harems, slave markets or bazaars - has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning, stereotypes of the exotic East. "Orientalism's Interlocutors" contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and Westerners, the contributors contend that the stylistic similarities between indigenous and Western Orientalist art mask profound interpretive differences, which, upon examination, can reveal a visual language of resistance to colonization. The essays also demonstrate how marginalized voices and viewpoints - especially women's - within Western Orientalism decentered and destabilized colonial authority.Looking at the political significance of cross-cultural encounters refracted through the visual languages of Orientalism, the contributors engage with pressing recent debates about indigenous agency, postcolonial identity, and gendered subjectivities. The very range of artists, styles, and forms discussed in this collection broadens contemporary understandings of Orientalist art. Among the artists considered are the Algerian painters Azouoau Mammeri and Mohammed Racim; Turkish painter Osman Hamdi Bey; British landscape painter Barbara Bodichon; and, the French painter Henri Regnault.From the liminal "Third Space" created by mosques in postcolonial Britain to the ways nineteenth-century harem women negotiated their portraits by British artists, the essays in this collection force a rethinking of the Orientalist canon. This innovative volume will appeal to those interested in art history, theories of gender, and postcolonial studies. Contributors include Jill Beaulieu, Roger Benjamin, Zeynep Celik, Deborah Cherry, Hollis Clayson, Mark Crinson, and Mary Roberts.

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