The Hidden Sense

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出版者:The MIT Press
作者:Cretien van Campen
出品人:
頁數:200
译者:
出版時間:2010-04-30
價格:USD 14.95
裝幀:Paperback
isbn號碼:9780262514071
叢書系列:
圖書標籤:
  • 聯覺 
  • 藝術 
  • 科學 
  • 神經學 
  • theory 
  • phenomenology 
  • cognitive 
  • cognition 
  •  
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What is does it mean to hear music in colors, to taste voices, to see each letter of the alphabet as a different color? These uncommon sensory experiences are examples of synesthesia, when two or more senses cooperate in perception. Once dismissed as imagination or delusion, metaphor or drug-induced hallucination, the experience of synesthesia has now been documented by scans of synesthetes' brains that show "crosstalk" between areas of the brain that do not normally communicate. In The Hidden Sense, Cretien van Campen explores synesthesia from both artistic and scientific perspectives, looking at accounts of individual experiences, examples of synesthesia in visual art, music, and literature, and recent neurological research. Van Campen reports that some studies define synesthesia as a brain impairment, a short circuit between two different areas. But synesthetes cannot imagine perceiving in any other way; many claim that synesthesia helps them in daily life. Van Campen investigates just what the function of synesthesia might be and what it might tell us about our own sensory perceptions. He examines the experiences of individual synesthetes--from Patrick, who sees music as images and finds the most beautiful ones spring from the music of Prince, to the schoolgirl Sylvia, who is surprised to learn that not everyone sees the alphabet in colors as she does. And he finds suggestions of synesthesia in the work of Scriabin, Van Gogh, Kandinsky, Nabokov, Poe, and Baudelaire. What is synesthesia? It is not, van Campen concludes, an audiovisual performance, a literary technique, an artistic trend, or a metaphor. It is, perhaps, our hidden sense--a way to think visually; a key to our own sensitivity.Cretien van Campen is a social scientist at the Social and Cultural Planning Office of the Netherlands. He is the author of two books on perception and visual art.

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總體來說這是一本很好的聯覺現象案例入門 由於作者領域關係以音樂研究案例為主,但在理論探索上不夠深入,最後一部分主要討論瞭如何優化現有研究方法但實質性突破不多。NeCoSyn的實驗設計確實要比同行細緻一些考慮到瞭色彩三維(但是否我們可以分彆知覺顔色各自緯度有待商榷)

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總體來說這是一本很好的聯覺現象案例入門 由於作者領域關係以音樂研究案例為主,但在理論探索上不夠深入,最後一部分主要討論瞭如何優化現有研究方法但實質性突破不多。NeCoSyn的實驗設計確實要比同行細緻一些考慮到瞭色彩三維(但是否我們可以分彆知覺顔色各自緯度有待商榷)

评分

總體來說這是一本很好的聯覺現象案例入門 由於作者領域關係以音樂研究案例為主,但在理論探索上不夠深入,最後一部分主要討論瞭如何優化現有研究方法但實質性突破不多。NeCoSyn的實驗設計確實要比同行細緻一些考慮到瞭色彩三維(但是否我們可以分彆知覺顔色各自緯度有待商榷)

评分

總體來說這是一本很好的聯覺現象案例入門 由於作者領域關係以音樂研究案例為主,但在理論探索上不夠深入,最後一部分主要討論瞭如何優化現有研究方法但實質性突破不多。NeCoSyn的實驗設計確實要比同行細緻一些考慮到瞭色彩三維(但是否我們可以分彆知覺顔色各自緯度有待商榷)

评分

總體來說這是一本很好的聯覺現象案例入門 由於作者領域關係以音樂研究案例為主,但在理論探索上不夠深入,最後一部分主要討論瞭如何優化現有研究方法但實質性突破不多。NeCoSyn的實驗設計確實要比同行細緻一些考慮到瞭色彩三維(但是否我們可以分彆知覺顔色各自緯度有待商榷)

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