The ideograph is conventionally understood as a script that is ancient and Chinese; it is neither. The 'ideograph' is a modern Western invention, one contemporaneous with, and related to, such modern inventions as photography, phonography, and cinematography. Ideographic Modernism analyzes the collective significance of an array of figures of Chinese writing in Euro-American literature, showing how the ideograph becomes, in the modernist era, a prism through which to imagine the world in ethnographic and in technological terms. Chapters on writing-as-image take up Kafka's 'An Imperial Message' and the way photography works as a model of vision without consciousness in the poetics of Imagists and their seeming opposite number, the French allegorist Paul Claudel. Chapters on writing-as-inscription, focus on Victor Segalen's Steles (1912), a prose poem collection that formally emulates the Chinese stone monuments from which it takes its name; and on a series of generally unremarked references to Chinese writing in the work of Walter Benjamin. A final chapter considers Paul Valery's response to the now almost forgotten Sino-Japanese War of 1894-95, tracing Valery's challenge to envision Western History had it engaged with real China, China-as-China, from the start. Overall, the study reveals the richness of the 'ideograph' as simultaneously 1) a prominent example in the imagining of China as a cultural other; 2) a way of imagining the origin, history, and possible futures of writing; and 3) a registration of the cultural effects of modern technological media.
評分
評分
評分
評分
中國在西方的影子,以及構造
评分導言裏麵把20世紀以前有關ideograph的討論梳理得很清楚。第二章把Stèle裏麵的inscription和phonograph比較很有意思。寫本雅明的第三章仿佛什麼也沒講(?)。原來作者就在隔壁想要去蹭課!
评分中國在西方的影子,以及構造
评分讀得匆忙,主要寫西方現代主義對中國(文字、書寫)的想象和對現代媒介(照相、留聲、電影、電報)想象的一些交匯。
评分導言裏麵把20世紀以前有關ideograph的討論梳理得很清楚。第二章把Stèle裏麵的inscription和phonograph比較很有意思。寫本雅明的第三章仿佛什麼也沒講(?)。原來作者就在隔壁想要去蹭課!
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有