This wide-ranging book investigates the emergence of modern ideas about the natural world in Britain from 1680-1860 through an examination of the cultural values common to the sciences, art, literature, and natural theology. During this critical period, spanned by Newtonian science and natural theology, Darwin's "Origin of Species", and Ruskin's "Modern Painters", the fundamental conception of nature and humanity's place within it changed. P. M. Harman calls for a new understanding of the varied ways in which the British comprehended natural beauty, from the perception of nature as a 'design' flowing from God's creative power to the Darwinian naturalistic aesthetic. Harman connects a variety of differing views of nature deriving from religion, science, visual art, philosophy, and literature to developments in agriculture, manufacture, and the daily lives of individuals. This ambitious and accessible book represents intellectual history at its best.
评分
评分
评分
评分
indepth philosophical discussion but limited view on the overall cultural landscape
评分為了在新的物理學的機械繫統裡面給上帝留一個位置腐國棱爭論了兩百年。
评分為了在新的物理學的機械繫統裡面給上帝留一個位置腐國棱爭論了兩百年。
评分為了在新的物理學的機械繫統裡面給上帝留一個位置腐國棱爭論了兩百年。
评分indepth philosophical discussion but limited view on the overall cultural landscape
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有