Christine Guth is an independent scholar. Her books include Japan & Paris: Impressionism, Postimpressionism, and the Modern Era; Longfellow's Tattoos: Tourism, Collecting, and Japan; and Art, Tea, and Industry.
This beautifully illustrated survey examines the art and artists of the Edo period, one of the great epochs in Japanese art. Together with the imperial city of Kyoto and the port cities of Osaka and Nagasaki, the splendid capital city of Edo (now Tokyo) nurtured a magnificent tradition of painting, calligraphy, printmaking, ceramics, architecture, textile work, and lacquer. As each city created its own distinctive social, political, and economic environment, its art acquired a unique flavor and aesthetic. Author Christine Guth focuses on the urban aspects of Edo art, including discussions of many of Japan’s most popular artists—Korin, Utamaro, and Hiroshige, among others—as well as those that are lesser known, and provides a fascinating look at the cities in which they worked.
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只看了開頭兩章和wood block print的後期發展和浮世繪部分。
评分只看了開頭兩章和wood block print的後期發展和浮世繪部分。
评分"This book takes as its premise that a strong sense of urban and regional identity is one of the distinguishing features of Edo-period culture. It surveys the activities of selected artists in their physical and socio-economic environment to bring into relief the cultural dynamics within and among four major cities." (p.19) 京都江户大阪长崎,按地域划分章节。介绍简要。
评分只看了開頭兩章和wood block print的後期發展和浮世繪部分。
评分只看了開頭兩章和wood block print的後期發展和浮世繪部分。
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