Arcimboldo

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Thomas DaCosta Kaufmann is the Frederick Marquand Professor of Art and Archaeology at Princeton University. His many books include Toward a Geography of Art, also published by the University of Chicago Press.

出版者:University of Chicago Press
作者:Thomas Dacosta Kaufmann
出品人:
頁數:336
译者:
出版時間:2009-5-1
價格:USD 70.00
裝幀:Hardcover
isbn號碼:9780226426860
叢書系列:
圖書標籤:
  • 藝術史 
  • 哲學 
  • GiuseppeArcimboldo 
  • 硃塞佩·阿爾欽博托 
  • 文藝復興 
  • 宮廷畫 
  • 曆史 
  • Renaissance 
  •  
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In Giuseppe Arcimboldo's most famous paintings, grapes, fish, and even the beaks of birds form human hair. A pear stands in for a man's chin. Citrus fruits sprout from a tree trunk that doubles as a neck. All sorts of natural phenomena come together on canvas and panel to assemble the strange heads and faces that constitute one of Renaissance art's most striking oeuvres. The first major study in a generation of the artist behind these remarkable paintings, "Arcimboldo" tells the singular story of their creation. Drawing on his thirty-five-year engagement with the artist, Thomas DaCosta Kaufmann begins with an overview of Arcimboldo's life and work, exploring the artist's early years in sixteenth-century Lombardy, his grounding in Leonardesque traditions, and his tenure as a Habsburg court portraitist in Vienna and Prague. "Arcimboldo" then trains its focus on the celebrated composite heads, approaching them as visual jokes with serious underpinnings - images that poetically display pictorial wit while conveying an allegorical message. In addition to probing the humanistic, literary, and philosophical dimensions of these pieces, Kaufmann explains that they embody their creator's continuous engagement with nature painting and natural history. He reveals, in fact, that Arcimboldo painted many more nature studies than scholars have realized - a finding that significantly deepens current interpretations of the composite heads. Demonstrating the previously overlooked importance of these works to natural history and still-life painting, "Arcimboldo" finally restores the artist's fantastic visual jokes to their rightful place in the history of both science and art.

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涉及文藝復興思潮眾多麵嚮,作者試圖結閤當時的神聖羅馬帝國之宮廷文化和復古哲學、文學理念,將以往普遍視為“匠人”的Giuseppe Arcimboldi (1527–1593) 重新打造為一位文藝復興“多麵手”。引用不少文獻檔案的間接證據來構造藝術傢為中心的文人世界,推斷多於實證。

评分

涉及文藝復興思潮眾多麵嚮,作者試圖結閤當時的神聖羅馬帝國之宮廷文化和復古哲學、文學理念,將以往普遍視為“匠人”的Giuseppe Arcimboldi (1527–1593) 重新打造為一位文藝復興“多麵手”。引用不少文獻檔案的間接證據來構造藝術傢為中心的文人世界,推斷多於實證。

评分

涉及文藝復興思潮眾多麵嚮,作者試圖結閤當時的神聖羅馬帝國之宮廷文化和復古哲學、文學理念,將以往普遍視為“匠人”的Giuseppe Arcimboldi (1527–1593) 重新打造為一位文藝復興“多麵手”。引用不少文獻檔案的間接證據來構造藝術傢為中心的文人世界,推斷多於實證。

评分

涉及文藝復興思潮眾多麵嚮,作者試圖結閤當時的神聖羅馬帝國之宮廷文化和復古哲學、文學理念,將以往普遍視為“匠人”的Giuseppe Arcimboldi (1527–1593) 重新打造為一位文藝復興“多麵手”。引用不少文獻檔案的間接證據來構造藝術傢為中心的文人世界,推斷多於實證。

评分

涉及文藝復興思潮眾多麵嚮,作者試圖結閤當時的神聖羅馬帝國之宮廷文化和復古哲學、文學理念,將以往普遍視為“匠人”的Giuseppe Arcimboldi (1527–1593) 重新打造為一位文藝復興“多麵手”。引用不少文獻檔案的間接證據來構造藝術傢為中心的文人世界,推斷多於實證。

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