Michael R. Halleran is author of Stagecraft in Euripides and The Heracles of Euripides; Translated with Introduction, Notes and Interpretative Essay in addition to many articles and reviews on Greek literature and culture. He is Divisional Dean of Arts and Humanities in the College of Arts and Sciences at the University of Washington.

Euripides: Hippolytus:

Euripides works with a common story pattern - a young man (Hippolytus) becomes the object of a married woman's (Phaedra's) desire, rebuffs her sexual overtures, and is then falsely accused to the woman's husband (Theseus, Hippolytus's father) of rape. To his familiar tale Euripides adds the story of divine vengeance - Aphrodite has brought about this passion in Phaedra in order to punish Hippolytus for contemning her and neglecting her realm of sex and marriage. In working through these plots the play explores the themes of passion and moderation, speech and silence, honour and shame, and examines the relationship between gods and mortals. This play holds a particular place in Euripidean studies, not only because of its acknowledged excellence and influence, but also because it allows the unique opportunity to observe the playwright's 'rewriting' of his earlier play on the same mythological topic, remarkably replacing the brazen Phaedra of earlier legend and previous treatments with a virtuous woman.