Art of the Deal pdf epub mobi txt 电子书 下载 2025
Noah Horowitz is an art historian and expert on the international art market. He has edited and contributed to publications on contemporary art and economics for institutions including the Serpentine Gallery, London; the Astrup Fearnley Museum of Modern Art, Oslo; and the United Kingdom's Intellectual Property Office. He received his PhD from the Courtauld Institute of Art, London, and currently lives in New York, where he is a member of the faculty of the Sotheby's Institute of Art and director of the VIP Art Fair.
- 艺术市场
- 艺术
- Art
- 经济
- 管理
- 关系美学
- 体验经济
- NewMediaArt
Art today is defined by its relationship to money as never before. Prices of living artists' works have been driven to unprecedented heights, conventional boundaries within the art world have collapsed, and artists now think ever more strategically about how to advance their careers. Artists no longer simply make art, but package, sell, and brand it.
Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it's headed. He takes a unique look at the globalization of the art world and the changing face of the business, offering the clearest analysis yet of how investors speculate in the market and how emerging art forms such as video and installation have been drawn into the commercial sphere.
By carefully examining these developments against the backdrop of the deflation of the contemporary art bubble in 2008, Art of the Deal is a must-read book that demystifies collecting and investing in today's art market.
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上一本经济学家写当代艺术只谈市场，不谈价值，但也开了眼界。这本艺术史学家终于提到了价值，提了个区别市场价值和审美价值的“象征价值”，说它在当代艺术品市场中起到了不可忽视的作用。然后作者的对象限定到了“影像艺术”和“体验艺术”，因为跟行为艺术一样两者无法“收藏”，说他们的“产权”和交易形式等等都很有意思。如果没人伊夫·克莱因不给他的买家收藏证，如果没人记录他向塞纳河撒钱的行为，这个价值还在么？当然了，报刊杂志怎么都不会放过艺术家的了。我翻完过后没觉得有多少洞见。
评分凡事要拿来交易就和其他交易一样。
评分上一本经济学家写当代艺术只谈市场，不谈价值，但也开了眼界。这本艺术史学家终于提到了价值，提了个区别市场价值和审美价值的“象征价值”，说它在当代艺术品市场中起到了不可忽视的作用。然后作者的对象限定到了“影像艺术”和“体验艺术”，因为跟行为艺术一样两者无法“收藏”，说他们的“产权”和交易形式等等都很有意思。如果没人伊夫·克莱因不给他的买家收藏证，如果没人记录他向塞纳河撒钱的行为，这个价值还在么？当然了，报刊杂志怎么都不会放过艺术家的了。我翻完过后没觉得有多少洞见。
评分上一本经济学家写当代艺术只谈市场，不谈价值，但也开了眼界。这本艺术史学家终于提到了价值，提了个区别市场价值和审美价值的“象征价值”，说它在当代艺术品市场中起到了不可忽视的作用。然后作者的对象限定到了“影像艺术”和“体验艺术”，因为跟行为艺术一样两者无法“收藏”，说他们的“产权”和交易形式等等都很有意思。如果没人伊夫·克莱因不给他的买家收藏证，如果没人记录他向塞纳河撒钱的行为，这个价值还在么？当然了，报刊杂志怎么都不会放过艺术家的了。我翻完过后没觉得有多少洞见。
评分凡事要拿来交易就和其他交易一样。
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