A witty and wide-ranging investigation of the central problem of our time: how to save ourselves from what we want.
Freedom is dangerous. Half of all deaths in America come from overeating, smoking, drinking too much, failing to exercise and other deadly behaviors that we indulge against our own better judgment. Why are we on a campaign of slow- motion suicide? The simple answer is that self-control is tough-especially now, when more calories, sex and intoxicants are more readily and privately available than at any time in memory. Gambling, once against the law almost everywhere, is now legal and ubiquitous. Trying to work? If so, chances are you're also struggling to resist the siren call of the Internet-to say nothing of the snack machine.
But while temptations have multiplied like fast-food outlets in suburbia, crucial social constraints have eroded. Tradition, family, church and ideology have lost much of their capacity to circumscribe behavior, while financial limits, once a ready substitute for thrift, were swept away by surging affluence and the remarkable open-handedness of lenders (a confluence that recently ended in tears). The result is a world that puts more pressure than ever on the "self" in self-control, sorely testing the limits of human willpower.
How can we cope with our appetites in a landscape of such boundless temptation? We Have Met the Enemy is a brilliant and irreverent search for answers that delves into overeating, overspending, procrastination, anger, addiction, wayward sexual attraction and most of the other homely transgressions that bedevil us daily in a world of freedom, prosperity and technological empowerment. Akst ransacks history, literature, psychology, philosophy and economics to alarm, teach, empower and, at the very least, entertain.
Using self-control as a lens rather than a cudgel, We Have Met the Enemy draws a vivid picture of the many-sided problem of desire-and delivers a blueprint for how we can steer shrewdly toward the wants we most want for ourselves. At stake is not just our health but our humanity, for what could make us more fully human than the ability to set aside impulse when we choose to do so? We Have Met the Enemy explains not just why you can't, but how you can.
Daniel Akst has written for the New York Times, the Wall Street Journal, the Los Angeles Times, Slate and many other publications. His previous books include Wonder Boy, which chronicled the wondrous financial fraud he had a hand in exposing, and the novels St. Burl's Obituary (a PEN/Faulkner finalist), and The Webster Chronicle. He lives with his wife and sons in New York's bucolic Hudson Valley, generally a good place to hide from temptation.
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说实话,这本书的节奏把控简直是鬼斧神工。如果你期待那种一马平川、直奔主题的叙事,那你可能会在最初的几十页感到一丝困惑,甚至有点不耐烦。作者似乎故意拉长了铺垫,用大量的环境描写和角色间的日常对话来构建一个看似平静的表象。但正是这种看似缓慢的推进,为后来的爆发积蓄了惊人的能量。我记得有一段,主角仅仅是在一个拥挤的市场里观察一个卖花的妇人,整整写了两页,但那两页的文字密度,信息量之大,简直令人叹为观止。通过对那妇人眼神、动作甚至衣着上细微污渍的描绘,作者不动声色地揭示了整个社会阶层的固化和绝望。当真正的冲突爆发时,那种爆发力不再是突兀的,而是水到渠成的,仿佛是积压已久的火山岩浆终于找到了出口。这种结构上的“先抑后扬”,让每一次情节的转折都具有了无可辩驳的必然性。它考验读者的耐心,但回报你的,是一种经过时间淬炼后的深刻体验,远胜过那些速食式的感官刺激。这本书,是关于“等待”的艺术,也是关于“酝酿”的哲学。
评分我必须得夸奖一下作者对于“局外人”视角的运用。在这本书里,我们跟着主角穿梭于各种权力核心与底层边缘,但最引人入胜的,反而是那些不被主流叙事所关注的配角们。作者赋予了他们惊人的生命力,每一个小人物都不是功能的堆砌,他们有着自己复杂且矛盾的动机。比如那位总是穿着一件破旧皮夹克的图书管理员,他看似只是提供信息的中介,但通过寥寥几句旁白,我们能窥见他为了保护某个秘密所付出的巨大代价,那种带着宿命感的悲剧色彩,甚至比主角自身的挣扎更为动人。这种对群像的精细刻画,使得整个故事的世界观异常丰满和可信。它不仅仅是在讲述一个宏大的故事,更是在描绘一个真实存在的、充满着无数个“小宇宙”的社会切片。阅读这本书,就像是走入一个拥挤的派对,你开始关注那个角落里沉默不语的人,然后发现,他才是掌握着最关键线索的人。这种对“非中心化”叙事的偏爱,让整部作品的格局一下子被拓宽了,不再局限于单一英雄的旅程。
评分从文学手法上来说,这本书的语言风格变化多端,展现了作者极其深厚的文字功底。开篇时,笔调是古典而略带咏叹的,句式冗长,节奏缓慢,营造出一种史诗般的厚重感。但随着故事推进到中期,当角色们进入到高速运转的现代机构中时,语言突然变得极其简洁、精确,充满了短句和白描,仿佛是冷峻的新闻报道,节奏快到让人喘不过气。而到了故事的收尾部分,语言又回到了抒情和哲思的层面,但这次的抒情不再是咏叹,而是一种历经沧桑后的平静与了悟,充满了象征意味。这种驾驭不同语境、切换不同“声部”的能力,非常罕见。它让读者在不同的阅读层次上都能获得满足感:既能享受优美精致的文字结构,也能跟上快节奏的悬念推动。整本书读下来,就像是听了一场气势磅礴的交响乐,从慢板到快板,再到庄严的尾声,层次分明,结构完整,显示出作者在整体架构上的宏大视野和对细节的完美控制。
评分这部作品最让我感到震撼的地方,在于它对“道德模糊地带”的毫不留情的探索。这不是一本非黑即白的小说,恰恰相反,它充斥着灰色地带,甚至连最纯粹的角色,在故事的后期也必须做出一些违背自己初衷的选择。作者似乎在不断地抛出难题:在生存面前,所有的原则是否都成了可以交易的筹码?书中关于“背叛”的描写尤其深刻。它不是那种戏剧性的、一刀两断的背叛,而是充满了无奈和自我欺骗的,那种当你回头看自己走过的路时,才发现自己早已偏离航线的隐秘背叛。每一次角色的妥协,都伴随着一场内心的“小型崩塌”,作者用近乎残酷的冷静来记录这些崩塌瞬间。这使得读者在阅读过程中会不断地产生代入感和自我审视,你会忍不住想,如果是我,我会怎么做?这种阅读体验是极具挑战性的,因为它拒绝给你道德上的安慰剂,而是要求你直面人性的复杂和不堪。最终,你读完后留下的,不是畅快的宣泄,而是一种沉甸甸的、对人性深渊的敬畏。
评分这本新作,我得说,完全出乎我的意料。起初,我只是被封面上那种略带忧郁的色调吸引,心想这大概又是一部沉闷的历史反思录。然而,一旦翻开扉页,那种扑面而来的叙事张力立刻就将我拽了进去。作者的笔触极其细腻,尤其擅长捕捉人物在极端环境下的那种微妙的心理波动。比如,他描写主角第一次意识到自己被边缘化时,那种不是歇斯底里,而是如同冰水浸泡般逐渐蔓延的冷漠感,处理得简直是教科书级别的。书中的场景构建也异常扎实,那些关于战后重建的描写,不是那种空洞的口号式赞美,而是充满了泥土的腥味和汗水的咸涩。我仿佛能闻到那种老旧木材受潮发霉的气味,感受到空气中弥漫的不安与压抑。更令人称道的是,作者在处理多线叙事时的功力,几条看似平行的故事线,在接近中点时开始产生令人脊背发凉的共振,这种布局的精巧,让阅读过程充满了探索的乐趣。它迫使你不断地后退几步,审视那些你以为已经理解的细节,然后猛然发现,自己所有的预判都被推翻了。这是一本需要慢读,并且需要细细品味的佳作,它不会轻易给出答案,而是留下足够多的空间让你去填充和思考。
评分欲望来了,诱惑挑逗了你的哪根神经
评分欲望来了,诱惑挑逗了你的哪根神经
评分欲望来了,诱惑挑逗了你的哪根神经
评分欲望来了,诱惑挑逗了你的哪根神经
评分欲望来了,诱惑挑逗了你的哪根神经
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