The Hare with Amber Eyes

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Edmund de Waal describes himself as a 'potter who writes'. His porcelain has been displayed in many museum collections around the world and he has recently made a huge installation for the dome of the Victoria and Albert Museum in London. Edmund was apprenticed as a potter, studied in Japan, and read English Literature at Cambridge University. 'The Hare with Amber Eyes', a journey through the history of a family in objects, is his most personal book.

出版者:Picador
作者:Edmund de Waal
出品人:
页数:368
译者:
出版时间:2011-8-2
价格:USD 17.00
装帧:Paperback
isbn号码:9780312569372
丛书系列:
图书标签:
  • 历史 
  • 传记 
  • 英文原版 
  • 英文 
  • 琥珀色 
  • 欧洲 
  • 随笔 
  • 艺术 
  •  
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An Economist Book of the Year Costa Book Award Winner for Biography Galaxy National Book Award Winner (New Writer of the Year Award) Edmund de Waal is a world-famous ceramicist. Having spent thirty years making beautiful pots—which are then sold, collected, and handed on—he has a particular sense of the secret lives of objects. When he inherited a collection of 264 tiny Japanese wood and ivory carvings, called netsuke, he wanted to know who had touched and held them, and how the collection had managed to survive. And so begins this extraordinarily moving memoir and detective story as de Waal discovers both the story of the netsuke and of his family, the Ephrussis, over five generations. A nineteenth-century banking dynasty in Paris and Vienna, the Ephrussis were as rich and respected as the Rothchilds. Yet by the end of the World War II, when the netsuke were hidden from the Nazis in Vienna, this collection of very small carvings was all that remained of their vast empire.

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Ephrussi家族是19世纪显赫的犹太家族,其家族成员遍布欧洲几乎所有国家的首都,最终构成一个庞大的商业帝国。Ephrussi家族出过艺术鉴赏家Charles Ephrussi,他资助过印象画派,也曾直接启发了普鲁斯特的创作,成为他笔下人物的原型。这个家庭的一位女性成员是20世纪初期第一位...  

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Ephrussi家族是19世纪显赫的犹太家族,其家族成员遍布欧洲几乎所有国家的首都,最终构成一个庞大的商业帝国。Ephrussi家族出过艺术鉴赏家Charles Ephrussi,他资助过印象画派,也曾直接启发了普鲁斯特的创作,成为他笔下人物的原型。这个家庭的一位女性成员是20世纪初期第一位...  

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文/吴情 北宋大文豪苏轼爱怪石丑石,却也常告诫自己,勿要以物废道。毫无疑问,苏学士不以玩物丧壮志的精神意志令人钦佩,玩物器件,琐碎细小,过于执迷,确实纷扰。不过,笔者有疑,东坡先生的“玩物丧志”观,难道就不是一种对某一理念的执迷?其实,现实生活中,人...  

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这是一本在2016年就被我列入书单的书,直至今天才读完。2015年去了柏林的犹太人纪念馆,逛了整整一天之后,对犹太人的历史有了兴趣。读这本书,原本只是想读个故事,没想到,却给了我大大的惊喜。 这是一部寻根的书。曾经辉煌过的家族,自微时起,乘势而上,历经四代人,再由盛...  

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故事开始于作者在日本留学时每周一次与舅公伊吉的会面,正是舅公伊吉,当时这批根付的持有人,让作者了解根付,初步了解根付所有者的故事。舅公去世之后,作者继承了根付。根付是日本人还都穿和服时,因为和服没有口袋方便把钱包、印笼、烟袋等等挂于腰上的小物件。长约2至5厘...  

用户评价

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追随根付的犹太家族史,的确是艺术家写的书,把历史和对物品的触感融合在一起写,而不是单纯地把根付作为寄托回忆的物品。

评分

追随根付的犹太家族史,的确是艺术家写的书,把历史和对物品的触感融合在一起写,而不是单纯地把根付作为寄托回忆的物品。

评分

追随根付的犹太家族史,的确是艺术家写的书,把历史和对物品的触感融合在一起写,而不是单纯地把根付作为寄托回忆的物品。

评分

追随根付的犹太家族史,的确是艺术家写的书,把历史和对物品的触感融合在一起写,而不是单纯地把根付作为寄托回忆的物品。

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欧洲史被压缩 苦难并不短促 只是我们太容易忘记了

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