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Picturing Heaven in Early China

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Lillian Lan-ying Tseng 作者
Harvard University Asia Center
譯者
2011-7-25 出版日期
480 頁數
USD 79.95 價格
Hardcover
The Harvard East Asian Monographs 叢書系列
9780674060692 圖書編碼

Picturing Heaven in Early China 在線電子書 圖書標籤: 藝術史  考古  秦漢史  海外中國研究  圖像  漢代  漢學  曾藍瑩   


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Picturing Heaven in Early China 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Picturing Heaven in Early China 在線電子書 著者簡介

Lillian Lan-ying Tseng is Associate Professor at the Institute for the Study of the Ancient World, New York University


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Picturing Heaven in Early China 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Picturing Heaven in Early China 在線電子書 圖書描述

Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death. Using excavated materials, Lillian Tseng shows how Han artisans transformed various notions of Heaven--as the mandate, the fantasy, and the sky--into pictorial entities. The Han Heaven was not indicated by what the artisans looked at, but rather was suggested by what they looked into. Artisans attained the visibility of Heaven by appropriating and modifying related knowledge of cosmology, mythology, astronomy. Thus the depiction of Heaven in Han China reflected an interface of image and knowledge.

By examining Heaven as depicted in ritual buildings, on household utensils, and in the embellishments of funerary settings, Tseng maintains that visibility can hold up a mirror to visuality; Heaven was culturally constructed and should be culturally reconstructed.

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