We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of culturalecological catastrophe where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity—the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement’s invocations of medievalism—never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?
具體描述
讀後感
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用戶評價
這本書分三部分“此時（now）”，“彼時（then)", "未來（Tomorrow)", 分彆講述三個時代的音樂“復古潮（retro)"。資料詳實，角度獨特新穎，寫齣瞭網絡時代樂迷的尷尬矛盾的境遇。
评分"The shock of the old"那章真的雜亂無章 作者真的知道自己在說什麼嗎
评分理性難以掩蓋火熱的激情，公允的同時又不得不進行價值判斷。讓人反思，甚至有些動搖，就說明這是一本瞭不起的書
评分理性難以掩蓋火熱的激情，公允的同時又不得不進行價值判斷。讓人反思，甚至有些動搖，就說明這是一本瞭不起的書
评分"The shock of the old"那章真的雜亂無章 作者真的知道自己在說什麼嗎
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